I grew up in the so-called New South, where there are sweet tea and skyscrapers, Gone with the Wind screenings in posh movie theaters, and Faulkner reading groups, but no stereotypical southern drawl and no cornbread. In an age where regional identity yields to interstates and chain hotels, can I still call myself a southern woman? After reading Elizabeth Spencer’s collection of short stories, I think I can.
Spencer’s South is not just a location; it is a kind of voice, a way of thinking and of speaking.