Elevate Difference

Reviews of Girl In A Coma

Trio B.C.

Four years ago, I stumbled onto Girl in a Coma—a strict accident, finding them in the first place—but after that discovery, keeping up with GIAC has become a habit, it has become compulsory, and a pleasure—as if their success has suddenly been tied to my own. Two years ago, after the release of Both Before I'm Gone, I caught up with them at the old Club 101 in El Paso, on one of their relentless tours.

Trio B.C.

There are a few deciding factors that determine the lasting star power of a band: it all seems to boil down to great songs, a distinctive sound, and a story to run with. Girl in a Coma meet all the criteria in spades while snagging a few extra gold stars and honorable mentions for having an amazing vocalist with a unique resonance all her own. They are also exciting live. They are the best band in the world is all. In reality, they comprise of guitar bass and drums helmed by Nina Diaz on vocals, Jenn Alva on bass, and Phanie Diaz on drums.

Both Before I’m Gone

Nas says hip-hop is dead, but after checking out rock trio, Girl in a Coma’s debut CD, Both Before I’m Gone, rock fans can relax. After the dismantling of Sleater-Kinney and Le Tigre, devoted fans of female rockers have been waiting for an act that follows the legacy of these two pioneers, but doesn’t sound overproduced. While other bands (who shall rename nameless) sell out by featuring their songs on over-hyped summer movies, there are still bands with a woman at the mike that scratch and claw and kick for their independence.
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