Elevate Difference

Reviews of Massoud Bakshim

Tehran Has No More Pomegranates

Massoud Bakshim’s Tehran Has No More Pomegranates identifies itself as “a musical, historical, comedy, docu-drama, love story, experimental film.” Attempts to classify the film—as a postmodern visual stew, as a sarcastic video collage-portrait, as a half-tribute-half-roast—don’t quite encapsulate the its nuances.