I’ve always been a sporadic fan of Melissa Etheridge’s work; perhaps it’s because, to me, her lyrics often feel oddly a little sophmoric and platitudinously P.C.—even when her sound is rocking tough, true and primal. Her guitar sounds dangerous, but her words don’t. The disconnect in poetic feeling between her amazing guitar work and lackluster words is one of the reasons she’s not, up to now, been included on my ipod.