Elevate Difference

Reviews of Museum of Contemporary Art

Form, Balance, Joy

It is an irony of contemporary aesthetics that accessibility is not considered a virtue. A degree of alienation between the general audience and the creator is a given, and a work of universal appeal is suspect. Any creation that is an uninhibited celebration of color, shape, and motion would go begging in a world of minimalist forms or conceptual constructs. Humor as a quality is particularly suspect. Alexander Calder not only produced work based on these elements, he made the first mobiles as a young artist in Paris.

Xenogensesis II: Intergalactic Beings (4/30/2010)

I purchased a copy of Octavia Butler’s Bloodchild at a secondhand bookstore and let it rest on my shelf for years as next-to-read. Fortunately, it was in my bag when I was shuttled from the ER to a hospital for a week-long stay: I possessed a means of transport away from a battered attempt at sterility and the monotony of crisis to an intense, sparse yet beautifully rendered world. I was reading Octavia Butler.

Kaija Saariaho and the International Contemporary Ensemble (11/19/2009)

In the LeGuin novel The Left Hand of Darkness a character notes the dearth of female composers. Thus, I was delighted to learn of the music of Kaija Saariaho.
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