Elevate Difference

Reviews of Sonia Sanchez

Morning Haiku

In her introduction, Sanchez—a member of the “Broadside Quartet” who published her first volume of poetry in 1969 and is most often associated with the Black Arts Movement—recalls her discovery of haiku at the 8th Street Bookshop in New York at the age of twenty-one. “I slid down onto the floor and cried and was changed. I had found me.” It may seem hard to sum up a person in three lines and seventeen syllables; Sanchez solves the problem by writing poems composed of groups of haiku. These poems certainly feel like personal reflections on people and places that have impacted the poet.

Morning Haiku

From my first taste of Byron at age twelve, I was hooked on poetry. As a teen, my reading went from the Romantics to Sylvia Plath to the Beats. By the time I belatedly discovered Sonia Sanchez, who has been publishing astonishing poetry since 1969, I was ready. This, I thought, this is poetry: not a word wasted, and all of them well-chosen; inspirational, revolutionary, and speaking straight to the heart.

I’m Black When I’m Singing, I’m Blue When I Ain’t and Other Plays

It has always been Sonia Sanchez the poet I’ve known and loved, with strong works like Wounded in the House of a Friend, Does Your House Have Lions?, and Like The Singing Coming Off the Drums.