When I was a kid I used to stay out of sight when my parents fought, fearful that their vitriol would extend to me. But I always listened, eager to understand the conflict. So it is with Marie and Bruce, Wallace Shawn’s look at the most dysfunctional of dysfunctional relationships.
The play begins even before a word of dialogue is uttered. As the audience enters the theater, Marie (a furious and pained Marisa Tomei) and Bruce (a disaffected and cool Frank Whaley) are lying on a large, ill-made bed in center stage. He’s asleep.