Elevate Difference

Reviews of IFC Films

Partir (Leaving)

David McKenzie’s Asylum is a flawed but breathtakingly compelling portrait of violent sexual obsession, deception, and mental illness. Unremittingly dark, this film also presents us with a woman who rails against the constraints placed on women in 1950s middle class Britain. Stella (Natasha Richardson) is a bored housewife who makes her home on the grounds of a mental hospital outside London.

Le Code a Changé

The French comedy of manners conjures up for me, an Anglophone, a bitchy Restoration drama rather than Molière. Jean Renoir’s heavy 1939 film The Rules of the Game, the iconic update of the genre, greatly dilutes the comic elements. Now, Le Code a Changé (Change of Plans) offers a lighter brew with only a dash of melancholy.

The Killer Inside Me

The song "He Hit Me (And It Felt Like a Kiss)" sums up all Jim Thompson’s oeuvre. When he wrote his novels (mostly in the '50s) they were rightly regarded as violent misogynist twaddle.
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