Elevate Difference

Reviews of Paper Garden Records

Bad City

Saadi is in love with music. It's fun to guess where the loops and tracks come from on their debut album, Bad City. Their influences are far-ranging, and combine '70s dance, '80s synth, choir vocals, and traditional Arabic music. The title track is a solid dance anthem. The song's companion remix is particularly hot, too.

Shady Retreat

Here’s the dilemma: I like a lot of divergent genres. Living in northern Europe the past eighteen months, I’ve been able to embrace my unabashed love of electronic club music and synthpop. I live in the birthplace of Eurovision, in the land of ABBA. Well, I’m twenty miles south of Sweden, but you get the idea. My partner and I are making plans to move home within the calendar year, though “home” may become anywhere from NYC to Silicon Valley because he’s a start-up guy looking for funding.

Western Theater

Mighty Tiger are the sort of band to open for Animal Collective or Grizzly Bear on tour—and not just because of their similar four-legged names. It’s easy to compare bands in folksy sub-genres, but the truth is, Mighty Tiger are a solid pop-driven fit among more established bands of similar persuasion. On Western Theater, Mighty Tiger do what other comparable bands do not.


Initially, I was put off by Emanuel and The Fear. I didn’t understand their show tunes inspiration, their jaunty piano melodies, and their choral backing. It’s been a long road from the high school show choir stage to the sofa where I sit today, and it took several weeks for Listen to grow on me.

On The Ground

Damien DeRose, the musician and songwriter behind the Peasant name, could be any hybrid of melancholy and charming—The Shins meets the late Elliott Smith—a consumable sadness that Wes Anderson will no doubt eventually co-opt for a postmodern movie soundtrack