Eve
After the release of Pink Floyd’s Dark Side Of The Moon, Alan Parsons and Eric Woolfson put together the Alan Parsons Project, a British progressive rock group that put out several albums that could be considered “concept” albums—not too unlike what the Mars Volta does now.
1979 was the original release year for the album Eve and the concept for this album is the tale of a woman and how she affects men. Sort of an interesting take when you consider Jane Fonda’s Barbarella was released in 1968 and showcased her talents and affect on men. I doubt Eve was totally inspired by Jane Fonda, but you get the general idea. Fighting against the infusion of new wave British pop and punk rock, the Alan Parsons’ Project remastered edition of Eve comes out to a completely new musical landscape. However, the album is inconsistent and uneven, and fans of Pink Floyd’s Dark Side Of The Moon might find this particular album difficult to grab onto.
The opening track “Lucifer” opens with an instrumental, then starts strong with the following songs “You Lay Down with the Dogs” and “I’d Rather be a Man,” whose lyrics might be too strong for some: “Well I’d rather be a man than play my role like you do/ I’d rather be a man than sin my soul like you do/ I’d rather be a man than slave the way you do/ I’d rather be a man cause a man don’t crawl like you do.”
After that, the entire album falls flat and tapers off. I kept finding myself shuffling to the next song, hoping to find some magic in the music. The remastered edition doesn’t offer as much as other versions, and doesn’t sound any better than the original, which is somewhat surprising, as Parsons worked as an engineer on The Beatles’ Abbey Road and Let It Be, as well as Dark Side Of The Moon. But Eve doesn’t capture quite the same distinct feel for my pop loving ears. Perhaps I’ve got a grudge against art house rock. But in all honesty, Eve is definitely not art house rock and definitely not the album to check out if you want to listen to the Alan Parsons’ Project.
I'm a little surprised that you've been a little easy on the lyrics, since songs like the two you mention, as well as "Winding Me Up" and "Damned if I Do" have possibly the nastiest, misogynisitic lyrics ever on an art rock album. Musically, I think it's less bland and more varied than the previous "Pyramid", although they started to get more pop and less progressive than the first two here. Parsons himself is sort of uncomfortable with the album today, and it's easy to understand why!
Bob