Lovers and Crypts
Straight outta Brooklyn, New York, Bunny Rabbit is a sound that is to be forgotten, at best. The music is drab and the beats predictable. Vocally, this is a woman who portrays herself as a sex object, who believes her only value is in being used for sex and nothing more. Where she is unable to actually write viable lyrics, she chose to fill in the empty space with obscenities that perpetuate the stereotype that women have nothing of power to offer but bitchiness and easy sexual conquest. Instead of choosing to uplift women in the rap/dance/electronica genré, she chooses to feed into the lowest common denominator and screams “my pussy” as often as the monotonous and mundane beats will allow. She downplays other women and steals their personal power in order to justify her lack of true talent and love for her fellow feminists and women in the business.
In the song, “Saddle Up,” she tries desperately to emulate a baby girl voice that she, in her complete step out of reality, assumes that men and women both find cute and sexy. The lyrics are obscene and have no value whatsoever. Even the beats behind lend no credibility to a song that, even with professional help, could never be a hit in the most remote dance clubs anywhere other than North Brooklyn.
Instead of trying to showcase any measure of talent and propriety, she chooses to become more and more insulting and gutter-mouthed to other females, whom she feels are not "up to her standard." Truthfully, the women she is insulting wouldn’t cast a second glance at her personally or professionally. She is, once again, perpetuating the myth of sexual domination in her simply grotesque song "Pussy Queen."
This Bunny Rabbit should be shot and put out of her misery, and ours. I would sooner listen to the KKK Christmas Carol Bonanza. Ladies, this is NOT an example we want for our youthful upcoming generation. If you are looking for music to really dance to and enjoy, look past this one. You will be glad you did.