Elizabeth Cook blends tenacity with tradition for Welder, embracing traditional backwoods country twang, some bluegrass, and a touch of rockabilly while adding her own progressive spin and pop edginess. The daughter of country musicians and welders, for whom the album was named, Cook effectively utilizes these aforementioned influences to raise her fist to integral feminist themes like independence, sexual expression and assertion.
Blair Gimma bounces about between art pop and insightful complexity with her first full-length venture, Die Young, juxtaposing the indelible angst of indie folk rock (with help from her daydreamy vocals) with stark lyrical imagery.
Bitch’s second release, Blasted! is a bona fide labor or love, self-produced and fully funded by her loyal fan-base who labored themselves to the tune of $12,000. A ballsy, creative venture done by a few indie artists thus far, but pays off only for the truly original, passionate ones that appeal to music lovers with equal convictions.
The poised, charismatic sisters that make up the indie power-pop twosome Tegan and Sara always seem to be a step ahead of their game. Their music blends pop alt-rock with healthy dose of just what pop needs, integrity and passion. And then there’s that little spark that only a handful of bands have that makes them stand apart from the rest.
They know their fans—what they wear, what they eat and what they want.
Members of The Locust and Some Girls make up the edgy electro-punk industrial outfit All Leather, mixing angelic screeching over electro beats and spastic hardcore pummeling, which are all packed tight into ten glorious minutes of the [Hung Like a Horse](http://www.amazon.com/gp/product/B002HWUU8G?ie=UTF8&tag=feminrevie-20&linkC
Their name, Curious Mystery says so much. Curious instrumentation crossed with a mysterious sound as they fearlessly cover the gamut—a grab bag of indie noise rock, folk, psychedelia, country, and blues. It all works whether it’s attributed to their experimentation of sounds, or that they are just an experimental bunch, a breath of fresh air in an arguably stale climate.
There are a few deciding factors that determine the lasting star power of a band: it all seems to boil down to great songs, a distinctive sound, and a story to run with. Girl in a Coma meet all the criteria in spades while snagging a few extra gold stars and honorable mentions for having an amazing vocalist with a unique resonance all her own. They are also exciting live. They are the best band in the world is all.
In reality, they comprise of guitar bass and drums helmed by Nina Diaz on vocals, Jenn Alva on bass, and Phanie Diaz on drums.
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