Elevate Difference

Films

The Price of Pleasure: Pornography, Sexuality, and Relationships

The advancement of gender equality and feminisms are arguably difficult to measure. One of the greatest successes, however, is the growing level of complexity with which we view previously black and white issues. In other words, we as a society are more capable to recognize the grey in controversial issues.

Shooting Women

Award-winning Director of Photography Joan Hutton says that when she was starting out in the film industry she received absolutely no help from anyone. Even after she’d built up a substantial résumé of work experience and won prestigious awards she continued to experience discrimination. A directing position that she’d interviewed for was once given to a lesser-experienced young male who’d only been out of film school for three years.

Who’s Afraid of Kathy Acker?

Finally, a documentary on legendary writer Kathy Acker, whose influence on sex-positive, brazen, post-modern feminist literature and art is unsurpassed. Perhaps there would have been no Riot Grrrl movement if Acker had not spoken to a young Kathleen Hanna. Hanna recalls that “Acker asked me why writing was important to me, and I said, ‘Because I felt like I’d never been listened to and I had a lot to say,’ and she said, ‘Then why are you doing spoken word?? No one goes to spoken word shows!

Karma Calling

Director Sarba Das has taken the stomach-churning subject of credit card debt and used it as a hilarious plot device in this endearing romp of a screwball romantic comedy. Watching Karma Calling is definitely non-stop farcical fun as the maxed out Raj’s, a Hindu family living above their means in Hoboken, are pestered by credit card call center collectors based in India. Ingenious scenes highlight the absurdity of our hyper-globalized world as the Indian collectors learn how to sound American and choose fake names based on popular American sitcoms.

Louise Bourgeois: The Spider, The Mistress and The Tangerine

“You have to be very aggressive to be a sculptor,” Louise Bourgeois announces at the start of The Spider, The Mistress and The Tangerine, a fascinating, but flawed, ninety-nine-minute documentary about the Parisian-born artist’s life and work. Later, she confesses that aggression alone is insufficient and implies that trauma and loss are equally essential. “I make in my work unconscious connections.

The Dhamma Brothers: East Meets West in the Deep South

What would happen if the American prison system was based on a treatment model versus a punitive model? The administrators at the W. E. Donaldson Correctional Facility wondered what would happen if they introduced the ancient Vipassana meditation techniques to prisoners. The Vipassana program is modeled after a program in India. The administrators hoped that the Vipassana meditation program would have a calming effect on the prison population. Donaldson Correctional Facility is a maximum security prison located in the countryside southwest of Birmingham, Alabama.

Whatever It Takes

At first, Whatever It Takes looks like the opening of a murder-mystery TV show, as a man gets ready for work. But it isn’t—it’s really Edward Tom, a new principal getting ready for the first day of school at a school in the South Bronx, New York. Named for the Bronx Center for Science and Mathematics, the high school is part of the state’s new education reforms: smaller schools to assist high risk students. The principal and teachers alike pay attention to all 108 kids, hoping to encourage them to succeed. The film covers the 2005-2006 academic year.

Shouting Fire: Stories from the Edge of Free Speech

"I may not agree with what you say, but I will defend to the death your right to say it." - Voltaire Tonight at 9 p.m. (ET/PT) you should turn the channel to HBO to watch the television debut of Shouting Fire: Stories from the Edge of Free Speech, a documentary about the evolution of freedom of speech in America. At eighty minutes, this film by Emmy Award-winning director Liz Garbus packs an intellectual and emotional punch that is sure to stimulate conversation amongst its viewers, whatever their political leanings.

Mothers & Daughters

Carl Bessai’s film Mothers & Daughters weaves a very textile-esque narrative containing a talented ensemble cast who convincingly engage the complex relationship between parent and child. Babz Chula brilliantly plays Micki, a self-involved romance novelist who all too easily forgets her daughter Rebecca’s needs. Rebecca, played by Camille Sullivan, possesses a rather brooding soul. Counter to this is the palpably awkward relationship between housewife Brenda (Gabrielle Rose) and her exceedingly stoic daughter Kate (Tiffany Lyndall-Knight).

Tapologo

Tapologo is a full-length documentary shot in Northwest Province, South Africa. Directors Gabriella and Sally Gutierrez Dewar chronicle a handful of the 20,000 displaced African refugees in a squatter camp called Freedom Park. Here we are exposed to life and death in a place where fifty percent of the women are infected with HIV. The film is divided into two parts. Part one opens inside the shack of an emaciated woman receiving care from two local nurses.

Dreamer

From the beginning, Dreamer appears to be a film about a man traveling backwards in time. Daniel, the main character, is a 30-year-old white man living in Chicago. As he struggles to make sense of this reverse sequence of events, Daniel’s awareness and motivation falter. He is unable to follow-up with a needed job opportunity. He wakes up beside a woman he does not recognize. Another morning, he finds himself bleeding profusely from a wound on his side without apparent cause.

The Stoning of Soraya M.

The Stoning of Soraya M. is a shocking and heartbreaking story of female oppression. The film, adapted from the 1994 book by the late Iranian journalist Freidoune Sahebjam, is based on a true story.

United States of Tara

For those who might have been living in a remote village in the Amazonian jungle in 2007, Diablo Cody is an Oscar-winning screenwriter whose debut success, Juno, is still fresh in everyone’s minds. Its witty repartee and kooky characters were what made it so exceptional.

Sheltered Life

Sheltered Life is a very confusing film to watch and to review. For the first hour or so, it’s brilliant. For the last ten or fifteen minutes, it’s absurd and rather disappointing. The acting ranges from the passable to the extraordinary as does the editing and cinematography. There isn’t much I can write without wanting to take it back a few sentences later, but be patient; I’ll try to find a point somewhere. The film is set in a domestic violence shelter in Canada where a wealthy mother and daughter find themselves after the mother takes yet another beating from her husband.

Easy Virtue

To say that Stephan Elliott was taken aback when approached to direct Easy Virtue would be an understatement. Asking the man behind the beloved drag queen road movie The Adventures of Priscilla, Queen of the Desert to adapt a Noel Coward play didn’t exactly seem logical. But the producers of the film insisted there was a method to their madness.

The Sari Soldiers

The Sari Soldiers is a documentary that follows the lives of six Nepali women amidst the political turmoil that erupted in Nepal in 2001, after Nepal’s King and nine royal family members were massacred. The film is near perfect. It accomplishes the tenuous balance that only the best documentaries can provide: a bird’s eye view of a convoluted topic achieved through exploring the infinitely specific and intimate stories of the individuals involved. After Nepal’s King was killed, the King’s younger brother Prince Gyanendra took the throne.

Utopia and Epitaph

Utopia and Epitaph aren’t quite what documentaries are supposed to be, but, surprisingly, that’s a very good thing. In most documentaries, there’s narration and context, exposition and editorializing. The filmmaker boxes the viewer in with a comfy explanation of why “this” matters, and guides him or her on the sort of journey of other people’s lives that allows the interested, yet uninvolved, tourist’s view of the world.

Sita Sings the Blues

As an independent woman struggling to experience life for myself instead of through a man, I’m always looking for inspiration from other women who develop identities beyond being appendages or servants to men. As I was already familiar with the story of Sita, a Hindu goddess, I was curious to see how Nina Paley would present the story in her animated film. Simply going by the graphics, the movie is a fantastic exploration of the parallels between the ancient mythological world and modern day.

Learning to Behave Naturally

Learning to Behave Naturally is a seventy-six-minute documentary based on a series of interviews in a language class at the University of Western Japan. A cross-section of students and faculty of diverse ages, gender, race, and social classes talk freely about childhood experiences regarding their gendered roles, interests, and behaviors.

Forbidden Sun Dance

My body belongs to me. I make the choice of whether or not I use contraception, dance like a silly garden gnome, use drugs like booze, and paint my toenails green or pink or leave them natural.

Terminator Salvation

The story behind Christian Bale’s casting in the latest installment of the Terminator franchise is as follows. Director McG approached Bale to play the role of Marcus (the role that eventually went to up-and-coming Aussie actor Sam Worthington).

Running on Empty

When I was perhaps ten years old or younger, I used to sit in front of the television on weekend mornings, and flip around until I found a Save the Children show. I’d then proceed to watch the entire episode, sitting cross-legged on the floor, and cry.

Yi As Akh Padshah Bai (There Was a Queen)

Yi As Akh Padshah Bai (There Was a Queen) is a documentary that tells the story of women in Kashmir, the northwestern region of the India currently controlled by Pakistan, India, and China. The directors dub it "the world's most picturesque conflict zone". India and Pakistan have fought three wars over Kashmir, and conflict has been a constant in the region since the 1990's when Kashmiri separatists began clashing with both Pakistani and Indian forces.

Dunya and Desie

Dunya and Desie is a 2006 Dutch film with English subtitles from director Dana Nachushtan. In the same vein as The Sisterhood of the Traveling Pants, Dunya and Desie is the fun story of two best friends from opposite upbringings and how they find what they are looking for in life.

White on Rice

I have something to admit upfront: comedies really aren’t my bag. I have a strange sense of humor that only seems to come alive with the zaniest of screwball antics and irreverent, satirical banter. Dick and fart jokes, stand-up, and most slices of modern romcom leave me yawning.

Good Dick

Good Dick is not porn—in fact, it’s a love story. You could call it a romantic comedy, but by “romantic comedy” I mean the polar opposite; there’s not much romance and its comedy leans more towards the dark side. Yet the central theme is certainly a romantic one.

Night at the Museum: Battle of the Smithsonian

A summer blockbuster with a feminist edge? Yes, that is indeed what we find with the Night at the Museum: Battle of the Smithsonian. The film opens with Ben Stiller’s character, Larry Daly, finding himself longing to return to the New York Museum of Natural History in spite of his entrepreneurial successes. He returns just in time to save his museum pals from deep storage in Washington, DC.

ARUSI Persian Wedding

In ARUSI Persian Wedding, Marjan Tehrani trails her brother Alex and his wife Heather as they prepare to wed in Iran. In fact, the couple is wed twice in the film—making it thrice in total. One wedding is in preparation—so they may travel as husband and wife—and the traditional ceremony that ends the film, which is the point of the documentary, is the couple's second on-screen wedding. Tehrani touches ever-so-briefly on themes that would have given the movie more impact had they been explored further.

Alicia en el Pueblo de Maravillas (Alice in Wondertown)

As Alice in Wondertown begins, a sense of foreboding emanates from the screen. Alice is running along a beach, away from an invisible threat, and her ill-fitting boots are impeding her progress. She makes it to the main road, screaming to a truck full of workers for help. After what seems like a full minute of Alice screaming, the truck finally screeches to a halt and the occupants acknowledge the distressed woman in the street.

Compulsion

Nesrine Malik’s scathing review of the ITV drama Compulsion got me thinking a lot more about modern day adaptations of pre-twentieth century literary works featuring ethnic Indian actors.
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