Elevate Difference

Music

One Hand Loves the Other

I admit I have a soft spot for local music, and One Hand Loves the Other hails from my local music scene in Atlanta, where the group’s name is a familiar sight on posters for local venues. The classically infused electro-pop band’s first full-length album is marked by extraordinary vocals, creative electronic stylings and classical instruments like the cello. On first listen, I wasn’t sure whether I should get up and dance or sit back and close my eyes.

Modern Love and Death

Philadelphia-based Hail Social has tried, yet again, to capitalize on the dance-rock craze that has made bands like Hot Chip and Franz Ferdinand pop stars and indie rock heroes.

Kurr

Take everything you love about Tom Waits’ junykard orchestra and combine it with the elegance and beauty of Icelandic folk music. This is Amiina, the female quartet who will make you wonder why more musicians don’t learn to play the saw. Their debut album, Kurr, (the Icelandic word for a bird’s coo), is a 12-song lullaby on acid. It employs twenty instruments, each woman taking a turn at playing each instrument to achieve a multitude of unique sounds.

Fabriclive 34

I am of the opinion that party music is best heard live while at the party.

Remixed and Reimagined

Billie Holiday has been lauded along with Joni Mitchell, Judy Garland, and Aretha Franklin as one of the greatest female artists of the 20th Century. The appeal of Holiday was her pained and pinched vocals; she did not have a pretty voice, and the biggest part of her appeal laid in the rough edges of her whiskey-sour pipes. Because one listens to Billie Holiday for emotional truth, it is a little disconcerting to think of Billie Holiday dance music.

The Con

The biggest key to deconstructing Tegan and Sara’s The Con can be found in the line “I won't go my whole life telling you I don't need.” It’s a break-up album: a tale of love lost, and clearly one of the twins is blaming herself.

Inventions for the New Season

For the last decade Athens, Georgia has been a hotbed for bands that stray away from highly stylized music in favor of showcasing their art outside the boundaries of conformity.

Oh Perilous World

Oh Perilous World, chamber-rock trio Rasputina’s sixth full-length album, is a study in what happens when blind ambition meets undeniable talent in a head-to-head death match. Talent usually wins out, but not without its causalities. In this case, Rasputina has created an album filled with gorgeous melodies and string arrangements that are undoubtedly impressive to both casual listeners and the aficionados.

Shake Yourself Awake

When the first song of rock band Ms. Led’s new album, Shake Yourself Awake, blasted on my stereo I became an instant fan. As a 35 year old woman who came of age in the ‘80s, I felt like I was taking a stroll down musical memory lane as I listened. Ms. Led’s music, fronted by lead singer Lesli Wood, is punk with a dash of ‘80s new wave.

1932

With Kandinsky on the cover and a name like Vertigo Butterfly, I desperately wanted to like 1932. But I couldn’t. Maybe the music is too moody. Maybe I had secretly hoped for some type of Jen Wood impersonation. Maybe I just couldn’t get past the operatic dramatic voice of Luray Hodder Kuca. Whatever it was, 1932 was a Black Tuesday for me – it just crashed. The arrangements are good – fantastic even. John Kuca, Jr does an excellent job putting together the instrumentation and backing vocals.

When Your Feet Hit the Stars

The first time I listened to Carrie Biell’s new album, When Your Feet Hit the Stars, I felt like falling asleep. All but nine of its ten songs are ballads. However, during the second listen I came to appreciate Biell’s smoky, soulful voice. The music is indeed mellow and great to listen to when you are stressed out. However, there are two songs that pick up the pace a bit.

Family Tree

It's hard to listen to Nick Drake and not be reminded of those VW commercials where "Pink Moon" played while hipsters rode through the dark in their cabriolet. Nick Drake has the voice that you hear in your dreams at night. His new release, Family Tree, contains songs he recorded with his mother and family before having a record deal. Nick Drake masterfully fingers folk songs on his guitar and sometimes the piano.

Bees and the Birds

The Bee Team (formerly known as the Bees and the Birds) presents a sweet sample of songs on its EP Bees and the Birds. With melodies that seem to have been born somewhere in the Appalachian Mountains, the songs with flit between folk, pop and rock. This Philadelphia band is self-described as a group that makes fun and honest music.

Volta

Volta, the sixth studio album from Icelandic musician, Bjork, delivers the kind of offbeat, quirky music that only she could make. With its lo-fi sonics, Volta sounds less polished than some of Bjork's previous releases, which is refreshing.

Ma Fleur

Imagined by frontman Jason Swinscoe as the soundtrack to a movie which has yet to be made, Ma Fleur does have a grand and sweeping feel to it. It sounds especially pretty on a rainy afternoon, but I found it far too solemn to be tried on a sunny car trip. While this is a band made up of gentlemen, it is the female guest vocals that shine on this album.

Stromata

On Charlotte Martin's latest album, Stromata, the songstress presents her most experimental work to date. Stromata presents Martin's typically earnest and honest lyrics against a complex background of synthesizers and electronic beats. Her influences on the album are so varied - from techno to folk to Middle Eastern - that the album lacks a sense of cohesion.

Poverina

Finland's own multi-instrumentalist Astrid Swan’s debut album, Poverina, was released on Minty Fresh Records on May 22. The opening track, "They Need You if They Think You Love Them," starts out gently with a tapping glockenspiel and cleverly transitions into Astrid's husky voice and piano. The arrangement is intense and dramatic at times with almost a full orchestra of instruments. It is hard not to compare Ms.

We Belong To the Staggering Evening

Ike Reilly’s charm lies in the fact that he asks for salvation quite frequently, knowing damned well that he has no intention of repenting. The devilish genius behind the pop-sensible major label release, Salesmen and Racists _(among a slew of others titles), is back in the saddle with the independent, roadhouse-ready _We Belong To The Staggering Evening.

It’s A Bit Complicated

Art Brut’s second album, It’s A Bit Complicated, hit the streets June 26th. Judging from the five song EP, it won’t disappoint the multitude of fans won over by their debut album, Bang Bang Rock & Roll. Known for his shrewd self awareness, front man Eddie Argos and his crew have done it again. Mixing talk/stylized vocals, smart verbosity and catchy melodies, Art Brut will satisfy your longing for intelligent upbeat music.

On the Way

Moore was one of many women who benefited from the movement in music that Lilith Fair generated, bringing many unknown female artists to the forefront of the public’s consciousness. There are traces of the peppy pop-sensibility that earned Moore her fame with her hit single “Four-Leaf Clover,” but On the Way is a more mature and introspective endeavor.

Trailercana

As a former trailer inhabitant myself, I was quite curious to see how Antsy McClain and the Trailer Park Troubadours’ latest album, Trailercana, would move me. While I was not immediately turned off as Antsy and his band of rockabilly misfits cranked out twangy opener “Living in Aluminum” and other saloony sing-alongs, Trailercana isn’t an album I’d listen to more than once. Not to say Antsy and the Trailer Park Troubadours don’t do what they do well.

Because I’m Awesome

Confession time: I’m a child of the '80s, but I never listened to Madonna, Prince or even the Talking Heads. I like to think I came of age with Gwen Stefani, Tori Amos and, well, Ani Difranco. Even when I was younger, lyrics took precedence over sound, substance or production, and I think these are the reasons why the first riff of The Dollyrots new album, Because I’m Awesome, was instantly appealing. With quick guitars, a girl singer and short, snappy songs, I was immediately hooked.

New Moon

In my Alabama high school, our English teacher had us select writers to do a report on. She carefully went down the list announcing a name with a short one-line bio to quickly introduce the writer to the class. My hand shot up to claim Sylvia Plath when I learned she committed suicide in her thirties; I was morbidly intrigued. In preparation for that school report I remember sitting in the library with headphones on listening to a BBC recording Plath made of her poem "Lady Lazarus." I can still hear the tone in her voice when she announces: "I have done it again.

Peace is Burning Like a River

Bitter Bitter Weeks’ third album has a sound that reminds me a bit of Death Cab for Cutie and Postal Service—with eclectic lyrics and a chill beat throughout the album. I put the album to the test during rush hour on the Washington, DC metrobus. Despite being stuck due to a car pileup and missing my connector, I arrived at my office relatively calm, a task only classical music or Céline Dion could do, but with a much cooler edge.

The Sky Observer's Guide

Written over the course of a month, Amy Cook's second album, The Sky Observer's Guide, is a strong albeit average album. Whereas Amy’s first album was just her and her guitar, this album showcases her band: Nina Singh on drums, Brad Rice on guitar and Bobby Daniel on bass. Cook's songs have been featured on many television dramas, including Dawson’s Creek, Veronica Mars, Laguna Beach and The L Word.

Balls

As I listened to Elizabeth Cook’s new album Balls, I wanted to open the window and scream, “Why doesn’t country radio play her songs?” I love country music that sounds authentic, the kind that one has to search the internet to find. Cook’s music definitely fits the bill. I really appreciated the blend of different old-time sounds: bluegrass, rockabilly and traditional country.

Summary

I can’t listen to this record without thinking the word "self-indulgent." Imagine you are in a room with a piano, a bass guitar, a microphone and your thoughts. Nothing is written down. In fact, the lyrics and instruments stream out in paragraphs. You talk about your life, friends, family, text message conversations.

Children Running Through

Patty Griffin is a storyteller. Rarely confessional or self-indulgent, she tells tales, assumes personas and takes the listener deep into the lives of her characters. Each persona has her or his own musical interpretation, deepening and strengthening the voice. In “Up to the Mountain (MLK Song),” Griffin assumes the voice of Dr. Martin Luther King, Jr. and puts herself into to the head and heart of a man working for a vision and a dream.

Destroy Me I’m Yours

Move over Sid and Nancy. Free form rock is the new black and Brooklyn, New York do-gooders Jen and Johnny from Shellshag are the ultimate musical couple. Years ago while performing in separate bands, they were involved with a public arts warehouse and living experiment in San Francisco called Starcleaners. Fast forward to present day, where Starcleaners has become a haven for the artistic community, releasing limited edition music including Shellshag’s first full-length album, Destroy Me I’m Yours.

You Leave Me Here

Kelly Greene’s music sounds like a mix between a lot of new country and a little singer/songwriter rock, like Sheryl Crow, mixed with a dash of influence from the Cardigans. It is upbeat, toe tapping and, at some points, the flow of the music makes you want to sing along without knowing the words. Although one must give her (and all other singer/songwriters) credit for writing her own music and lyrics with this album, it sounds a bit repetitive. All of the lyrics cover the exact same subject.