Berg's Queer Foot Porn

If you’ve lost your sense of humor about sex lately, Berg's Queer Foot Porn will help you get it back. Women are indisputably objectified in mainstream pornography and are constantly told what’s sexually acceptable—leaving little room for reality or a holistic view of sexuality. In a subversive effort to retaliate, Berg and her co-authors created a site full of campy, voyeuristic galleries of foot pornography.

Offbeat Bride: Taffeta-Free Alternatives for Independent Brides

There are some women who, upon getting engaged, will spend hours poring over the most recent 700-page issue of Bride magazine. There are other women who would sooner use that behemoth of a magazine as a firestarter than spend a single minute reading about the most recent trends in bustles and floral arrangements.

The Collected Poems of Muriel Rukeyser

Before there was Anne Sexton and Sylvia Plath, there was Muriel Rukeyser. Before there were the Beats, there was Muriel Rukeyser. As Anne Sexton once pointed out, Rukeyser was the “mother of us all.” This is why a collection of her work is so important. Despite Rukeyser’s stature, and her prodigious output, she is not as often read or taught as her better known literary progeny. Furthermore, some of Rukeyser’s prime writing years were during the era of New Criticism, when politically charged poetry was not in vogue.

Dark Designs and Visual Culture

Michele Wallace is best known for her controversial, groundbreaking book, Black Macho and the Myth of the Superwoman. Published in 1979 when Wallace was twenty-six years old, it defined her as an outspoken feminist who was unafraid to examine the misogynistic elements of the Black Power and Civil Rights movements of the sixties, and explored how sexism as well as racism damaged the psyches of Black women. Not surprisingly, Wallace’s fearlessness came with a painful price. Although the book garnered her immediate fame and recognition in feminist and intellectual circles (so hot was the buzz about Macho that her face made the cover of Ms. shortly before the book was published), Wallace received an intense level of criticism from all sides that she was not prepared to face.

The Mammy Project

Michelle Nicole Matlock’s one-woman show, The Mammy Project, is a provocative piece of theater that entertains and educates through a series of vignettes that deconstructs the controversial history of the Mammy stereotype. Matlock builds her show around two stories - the life of Nancy Green, a former slave who was hired as the first-ever Aunt Jemima for the World’s Fair in 1893, and Matlock’s own experiences as a full-figured African-American actress who thought she’d never have to play the part of the mammy-maid in today’s entertainment business, but found herself getting cast in those r

Elusive Equality: Gender, Citizenship, and the Limits of Democracy in Czechoslovakia, 1918-1950

Melissa Feinberg’s must-read new book, Elusive Equality, chronicles in rich and sometimes dramatic detail the fascinating, though frequently distressing, events that marked Czech feminists’ struggle to implement the radical ideas of equality on which the Czechoslovak Republic was founded after the end of World War I.

She's Such a Geek: Women Write about Science, Technology, and Other Nerdy Stuff

A collection of essays by women geeks? What can self-professed geeks share with the rest of women about what it means to be female? A heck of a lot, whether you measure it in decimal or binary.

Indestructible

When you think of Miami, you don’t often think of punk. I grew up in South Florida, I’ve come back here (for now). Miami is anti-punk – superficial, isolationist, materialistic. It’s possible to be punk in this city – to create and exist outside of the mainstream. Yet I’m always curious to see how others form their own identities, their own cultures, in a place that doesn’t do much to support them. This is what made me read Cristy C.

Defending Our Dreams: Global Feminist Voices for a New Generation

Identifying as a feminist has never been easy, and being a young feminist is even more difficult. Ever present is the threat of being attacked for failing to acknowledge the efforts our foremothers of the second wave, as well as criticism of those who see young feminists as third wave "fuck-me" feminists, asserting a gender-normative femininity at the expense of coalescing to male-dominated notions of sexuality. What does it mean to call yourself, or in this case, your book, the voice of a new feminist generation? What does it mean to attempt to do this on a global scale? Who is included?