I Love You, Man / Duplicity

I can’t remember the last time that I went to the theater and saw two movies in one day. For that matter, I can’t remember the last time that I was even able to afford that; I live in Manhattan, land of the thirteen dollar movie ticket. However, there were two recently released flicks that I was absolutely dying to see.

Cancer is a Bitch: (Or, I'd Rather Be Having A Midlife Crisis)

After completing her second novel (one about a woman dealing with breast cancer that her agent wasn't very excited about), Gail Konop Baker was actually diagnosed with the disease herself. In this book, she takes the journals that kick started her column "Bare-Breasted Mama" and turns them into this smart, funny, insightful, and intimate book about an event in her life that really rocked her world. I selected this read because it seems like cancer has been creeping around the six-degree-edges of my life lately.

This is Burlesque

To go to a burlesque show is to indulge in somewhat of a lost form of entertainment. It’s as much about the experience as it is about the actual show. Sure, a line of beautiful women can strut around on stage in their skivvies, but if the nostalgia factor isn’t there, then it’s just another striptease.

Queer Queens of Qomedy (08/01/2008)

Lesbians, like feminists, have no sense of humor. Or so we’ve been told… repeatedly. Poppy Champlin and her troupe of hilarious women-loving-women are busting that stereotype wide open. In various venues across the United States, the Queer Queens of Qomedy are met with crowds of queer fans and a hail of riotous laughter. I joined in on the gayety this past Friday night at the historic Birchmere music hall in Alexandria, Virginia, and I must say I’ve never laughed so hard in my life.

Marie Claire (May 2008)

I’m a magazine junkie. There’s nothing better than coming home to find your favorite magazine in the mailbox. I love thumbing through the ads and fashion spreads knowing full well that I will never be able to afford most of the clothes, but trying to glean some sense of what the latest themes are and how they will trickle down into my utilitarian wardrobe.

Five Lessons I Didn't Learn From Breast Cancer (And One Big One I Did)

I’ve never had to battle cancer, but I’ve had many family members - including my mother right now - diagnosed with other forms of cancer. It’s difficult to find a light side to cancer when you’re fighting for your life. Shelley Lewis, however, writes about her experience with humor and advice for a world that has marketed breast cancer. One thing that sets Lewis’ book apart is that she makes a point to say that breast cancer didn’t change her or give her a profound realization about her life; she’s the same person she was before the cancer.

It’s a Jungle Out There: The Feminist Survival Guide to Politically Inhospitable Environments

If you keep up with the purported leaders of feminist blogging, or if you heard any of the controversy about the John Edwards campaign bloggers last year, the name Amanda Marcotte may ring a bell.

The Five-Forty-Five to Cannes

No point beating about the bush. Might as well get the finale over with right now at the top, instead of coyly building to it with flourishes of logic and neat exempla. Here goes. This is one terrific book Tess Uriza Holthe has written. It's tough, slapstick, delicate, witty, bawdy, rueful and superbly crafted. One minute she throws her head back in laughter; the next she whips out a blade and knifes you in the ribs. Can't trust her at all, meaning she's the best sort of writer.

Bam Bam and Celeste

Antithetical to the laugh-so-hard-you’ll-cry theory is comedian and activist Margaret Cho, who will have you crying, hard, before making you laugh like you’ve never laughed before. In her stand-up shows, she tells achingly raw stories about the torment of growing up “different” and does so in a way that makes her the only comedian who can respond to racial slurs with “fuck you” and pull it off like the most brilliant one-liner ever.

Waitress

The untimely murder of indie heroine director and producer Adrienne Shelley was inevitably on my mind as I watched her supporting performance. Waitress is set up to make you love it, and for many reasons, one can. Lush colors, laugh out loud humor and delicious-looking pies are enticing.

You Live for the Fight When That’s All That You’ve Got #1

This zine is the latest from the woman who brought the world five issues of A Renegade’s Handbook to Love & Sabotage. After her dad’s unexpected death in 2002, she took a break from producing zines because “the words just didn’t come out in a way that felt right” to her. With You Live for the Fight…, she is “trying to let the words come out in a way that feels right to them.” I’m really excited by the way the words came out.

Fay Grim

Fay Grim is the sequel to Hal Hartley’s 1997 film Henry Fool, in which Queens garbage man Simon Fool (James Urbaniak) was befriended by the eponymous hero (Thomas Jay Ryan), who encouraged his literary ambitions. Simon wins the Nobel Prize for his poetry, Henry marries Simon’s sister Fay (Parker Posey) and they have a son, but at the film’s conclusion Henry flees the country to avoid arrest, leaving Simon to take the rap for aiding him. This back story is skillfully established in the first 20 minutes of the film, which is set seven years after Henry’s disappearance.

Cat and Girl

Since 1999, Dorothy Gambrell’s Cat and Girl has graced the internet with its mordant critique of consumer society, indie rock, hipsters and everything that takes itself too seriously. A volume of more than 200 of these strips was published last year, making it available for the first time in a format suitable for reading on the subway. There are actually two girls in Cat and Girl, versions of each other: the nerdier Girl and the punkier Girl.

Still Life with Husband

“Why would a woman - and it seems like it’s always women - do that to herself?” And so starts the musings of Lauren Fox in Still Life with Husband. Stuck in a world where gender roles are spilling into every aspect of her life, Emily is struggling to resist the urge to conform and dealing with the onslaught of confusion that her refusal is causing. At 30, Emily’s biological clock hasn’t even been set, a fact that’s a hard realization to her husband and those around her, such as her mother who is desperate to be a grandmother and her pregnant best friend, Meg.