Death to the Dictator!: A Young Man Casts a Vote in Iran’s 2009 Election and Pays a Devastating Price

Less than one year after Iranian demonstrators took to the streets to protest the fraudulent re-election of hardliner Mahmoud Ahmadinejad as President of the Islamic Republic, writer Afsaneh Moqadam tells the true story of Mohsen Abbaspour, a man in his early twenties who votes for the Reformist party and its leader Mir-Hossein Mousavi. Swept up in the euphoria of possible change, the once politically apathetic Mohsen finds himself alongside his friends and fellow reformists in the streets posing the greatest challenge to Iranian authorities since the 1979 Islamic Revolution.

Women Without Men

The story of director Shirin Neshat is almost as compelling as her first feature. Born in religiously conservative Qazvin, Iran, Neshat has been using visual art to explore gender relations under Islam for nearly two decades, traveling back and forth between the States and Iran to enrich her perspective. But because her work has been so politically outspoken, Neshat has been exiled from her native country since 1996.

Tehran Has No More Pomegranates

Massoud Bakshim’s Tehran Has No More Pomegranates identifies itself as “a musical, historical, comedy, docu-drama, love story, experimental film.” Attempts to classify the film—as a postmodern visual stew, as a sarcastic video collage-portrait, as a half-tribute-half-roast—don’t quite encapsulate the its nuances.

Laughing without an Accent: Adventures of an Iranian American at Home and Abroad

Laughing without an Accent is Firoozeh Dumas’s second book, after her debut memoir Funny in Farsi. Dumas is an Iranian-American who writes about the similarities and differences in Iranian cultures through her own experiences growing up in Iran and America.

Utopia and Epitaph

Utopia and Epitaph aren’t quite what documentaries are supposed to be, but, surprisingly, that’s a very good thing. In most documentaries, there’s narration and context, exposition and editorializing. The filmmaker boxes the viewer in with a comfy explanation of why “this” matters, and guides him or her on the sort of journey of other people’s lives that allows the interested, yet uninvolved, tourist’s view of the world.

ARUSI Persian Wedding

In ARUSI Persian Wedding, Marjan Tehrani trails her brother Alex and his wife Heather as they prepare to wed in Iran. In fact, the couple is wed twice in the film—making it thrice in total. One wedding is in preparation—so they may travel as husband and wife—and the traditional ceremony that ends the film, which is the point of the documentary, is the couple's second on-screen wedding. Tehrani touches ever-so-briefly on themes that would have given the movie more impact had they been explored further.

Things I’ve Been Silent About

Things I’ve Been Silent About is the second memoir for bestselling author Azar Nafisi. Offering a larger lens into her life than Reading Lolita in Tehran, Nafisi tells her life’s story and the story of her country of Iran.

Love Iranian-American Style

Finding love is never easy. But having to deal with what your family expects, especially when it contradicts the current society that you are a part of, makes it that much harder. Tanaz is an Iranian-American woman, who has pursued an education and is now a filmmaker. However, she is 26 years old and unmarried, which is unacceptable in her family’s eyes.