Elevate Difference

Reviews tagged live show

Live in Louisville

“Well you have it, you love it, now it’s your turn to shove it…I don’t want to play house anymore,” sings Carrie Rodriguez on her newly released live compilation album, Live in Louisville. Her soulful voice, accompanied by rousing fiddles, makes her point with grace and force.

Ani DiFranco (03/18/2009)

At the Ani DiFranco concert in Pompano Beach, FL, a woman next to me hadn’t heard Red Letter Year. But she wouldn’t have missed the show: “If it’s Ani, then I’m there.” I confess. I’m the same. I don’t have the new album. But it’s Ani. So I was there. Allie Evans, who works on Ani’s tours, talked about the audience response: “The economy may not be strong...

The Hotel Café Tour (11/1/2008)

The Hotel Café began as a tiny coffee shop in Hollywood, California. Since then, it has developed into a twenty-one-and-older venue. In its initial cozy environs, the performers created a warm, collaborative environment, sharing the stage and watching each other perform. Four years ago, the Hotel Café began to tour with some of its most promising acts. The particular show that I attended in Williamsburg, Brooklyn was an eclectic collection of indie-folk festivities.

Nine Inch Nails (12/7/2008)

I've never been a diehard Nine Inch Nails fan, but have listened to them on and off since high school. I've never seen frontman Trent Reznor or his music as misogynistic; in fact, "Closer" is one of my all-time favorite songs. And to be fair, the only semi-nude images on visual display in this show were equal opportunity, male and female. Whatever else you want to say about them, NIN gave fans in Portland, Oregon their money's worth.

1st International Body Music Festival (12/07/2008)

I wasn’t sure what to expect. What is body music anyway? It’s more than music you can see, and dance you can hear.

Musicfest Northwest (9/3-9/6/2008)

Now in its eighth year, Musicfest Northwest was held over three days in Portland, Oregon. Born from the ashes of the North by Northwest festival, MFNW is hosted by Portland’s less trendy, free weekly newspaper, the Willamette Week, and has grown rapidly since its inception, largely due to corporate sponsorship.

Tegan and Sara (10/9/2008)

It must be nice to be in a band with your twin sister. Shared skinny jeans, skinny genes, and hipster hair products make costuming a breeze, and a sound-alike bandmate eliminates the technical hassle of overdubbing vocals. Plus, you know the other person so well that you can make fun of them on stage, as Canadian duo Tegan and Sara demonstrated at Chicago’s Riveria Theatre. “I forgot what a shithole this place is,” my 'plus one', better known as Grace Yip from Grace the Spot, lovingly remarked upon our arrival.

Decibelle (9/23 - 9/27/2008)

To quickly describe my feelings regarding Decibelle (formerly known as Estrojam), allow me to offer this scenario. Imagine a child describing FAO Schwartz, moments after she's visited the toy store for the first time: "There's so much to do! There's so much to see! I danced and laughed and cried! I met great people! It was the most fun I've had all summer!" I've been sitting in my laptop's glare for days, wondering how to articulate these gushing sentiments more eloquently before I finally realized that the festival doesn't deserve a dry critique.

Live Earth (7/7/2007)

Live Earth, Al Gore’s spectacular series of concerts for the environment Earth, has been a magnet for mainstream media cynics, who point to amplifiers, lights and garbage as evidence that the whole thing was one big festival of hypocrisy. But for a member of the throng at Giants Stadium, at least, the atmosphere felt as political and optimistic as any show in memory.

BARR - Live in Philly (2/19/2007)

There’s nothing more refreshing than a band who doesn’t take themselves too seriously, particularly when they are this catchy. Even more inspiring is a band who, perhaps unknowingly, manages to deconstruct what it means to be a male musician. It was my first time. Seeing BARR was a release like no other. Their performance exhibited a seamless balance of blunt honesty and raw optimism.