Elevate Difference

Reviews tagged love story

Timer

I love a romantic comedy. Throw in some magic realism–even better. Jac Schaeffer's Timer ticks both of those boxes, but, unfortunately for a film that explores people’s fears about missed opportunities, this film missed a few opportunities itself, and lost me as a fan in the process. (It bills itself as sci-fi but I say magic realism–there is new technology, but it’s never fully explained. I call that magic.

Leading Ladies

It may seem quite an impossibility, but the film Leading Ladies is, simply put, a quietly revolutionary dance musical. While most dance musicals (think Dirty Dancing, Save the Last Dance) center on the boy-meets-girl heterosexual love match, Leading Ladies is a beautifully wrought girl-meets-girl story.

Get Low

Robert Duvall. Sissy Spacek. Bill Murray. If that’s not an easy sell, I’m not entirely sure what film would be. As expected, the acting in Get Low is phenomenal across the board. Even up and comer Lucas Black more than holds his own with these legends. The acting is the magic the movie tries so hard to make. Unfortunately, the allure of the fanciful southern folktale misses the mark. There are magic moments but Get Low fails to sustain itself consistently.

Silence Not, A Love Story

Everyone loves a love story, especially one with a happy ending, and award-winning playwright and journalist Cynthia L. Cooper’s latest play, a forty-four-scene two-act, is a whopper. Silence Not, A Love Story tells the improbable tale—based on a true story—of Gisa Peiper, a young Jewish student stifled by religious Orthodoxy, and Paul Konopka, a Catholic craftsman, who met in late-1920s Germany while working with the anti-fascist International Socialist Combat League, known as the ISK.

Fear of Fighting

Fear of Fighting is a short novel about a woman living and working and looking for love. It reminds me, oddly, of Chuck Palahniuk's novels, though it's more comfortable with its queerness.

Drifting Flowers

In the film Drifting Flowers, director Zero Chou brings together three stories of lesbian love and camaraderie. In the first, the audience is presented with May, a young girl who is confronted with the need to guide her blind older sister, Jing, while envying her sister's relationship with Diego. The second story is a sharp turn from the youthful innocence of May to the addled mind of Lily.
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