This hefty anthology is a valuable resource for anyone who is interested in film, history or women’s studies. Substantial at 872 pages, it covers the years 1895 to 1950. The relationship between women and film is complex and fascinating, which explains the length of Red Velvet Seat, and the relationship has gone mostly unexplored, which suggests the book’s importance. Scholars, in particular, will be excited to see so many insightful texts gathered into one volume.