Elevate Difference

Reviews tagged performance

The Reality Shows

Described by Ben Brantley of the New York Times as someone with the “power to disturb,” Karen Finley is a woman with her finger on the pulse of America. Renowned for her performance art, she is an underground favorite and a feminist idol.

Baby Universe (A Puppet Odyssey)

Baby Universe, a one-hour, adult-themed puppet show, begins with a DJ from Apocalypse Radio announcing to the audience that he is ”broadcasting live from the darkest corner of the bunkers.” His tone conveys urgency as he reports that the program will include an interview with one of the last people alive. The situation, we’re told, is grim: “These are the last days. Nothing can keep death from us. The plants are scorched, the animals blistered…The seas? What seas…?

Hibiki (Resonance from Far Way) (10/20/2010)

The dancing performed by the Japanese butoh company Sankai Juku in Hibiki (Resonance from Far Away) at the Harris Theater in Chicago, Illinois, manages to invoke simultaneously everything and nothing. In choosing the word ‘everything,’ I am attempting to describe the fact that the six dancers and their choreographer execute actions that remind the viewer, possibly, of children, stones, priests, frogs, soldiers, streams, women, the wind, and a flower.

An Evening of Madame Bovary with Lydia Davis (10/4/2010)

Following a glowing introduction by translator and essayist Richard Sieburth, the acclaimed author Lydia Davis read several passages from her recent translation of Gustave Flaubert’s classic novel, as well as selections of her own work, at the 92nd Street Y’s An Evening of Madame Bovary. The poetic flow of the writing lends incredibly well to a live reading and the audience was spellbound. As a fan of the novel, I could have listened to Davis read from Madame Bovary for hours, and the event left me eager to purchase her translation so I could compare it to the one I had at home.

Cho Dependent Tour (9/23/2010)

Margaret Cho's hour-long set at The Grove began with a story about her recent experiences as a contestant on Dancing with the Stars that parlayed into a story about using a vocal coach from American Idol while touring in support of her newly released album Cho Dependent. Apparently her vocal coach made her drink shots of olive oil when she developed a sore throat, and as a result, Cho suffered from uncontrollable flatulence and diarrhea. This was a reoccurring theme of the night (I actually wasn’t aware Cho had such a penchant for poop jokes), and while I spent half of Cho’s act loving her intensely and laughing out loud, the other half I found myself wondering if she’d lost her edge.

Sex in Mommyville (8/19/2010)

For feminists marriage and motherhood have always been gray areas. While feminists of the seventies were quick to write off these roles as domestic slavery, some contemporary feminists have embraced these roles, finding that one can be an independent woman and still be a loving mother and wife. However, finding a balance between the roles of independent career woman as well as wife and mother can be a struggle. This struggle is at the crux of The Flea Theater’s production of the one woman show, Sex in Mommyville.

Mangos with Chili (7/11/2010)

I was thrilled to be able to attend a special Mangos with Chili show on Sunday night at Bluestockings in the Lower East Side of Manhattan. I was thrilled not just because I consider the founders, Leah Lakshmi Piepzna-Samarasinha and Ms.

A Parallelogram (7/1/2010)

In Euclidean geometry, parallel lines never intersect. In post-Euclidean geometry, all parallel lines under specific conditions—for example, placed on a globe—will converge. In Bruce Norris’ new play, A Parallelogram, parallelogram is the term used to describe a window of sorts in space and time. The protagonist’s future self visits her through such a passage and discloses details of her life and the world to come.

Black Pearl Sings! (6/18/2010)

With their current production, Black Pearl Sings!, InterAct Theatre brings a powerful story to the Mainstage of Philadelphia’s Adrienne. The intimate performance space, where third row is a mere six feet from the floor-level stage, helps one feel immersed in the story. Written by Frank Higgins and directed by Seth Rozin, the two-act play stars C. Kelly Wright as Alberta “Pearl” Johnson and Catharine K. Slusar as Susannah Mullally.

Prophecy (6/6/2010)

Forty years ago, Edwin Starr’s “War” was a Billboard Top 100 hit, an explicit denunciation of armed conflict. “War, what is it good for? Absolutely nothing,” he trilled. Karen Malpede’s Prophecy takes this sentiment as her starting point. Her latest play, an ambitious, layered look at the damage wrought by centuries of strife on the battlefield—and in the personal relationships that ensue once military action is over—is bold and dramatic. It’s also shrill. Numerous stories unfold simultaneously.

MILK (5/1/2010)

Emily DeVoti’s provocative two-act play, MILK, opens in a spare farmhouse kitchen. It’s 1984. Ronald Reagan has just been elected US president and local newscasters seem to have nothing good to report. Meg (played by Jordan Baker), a former mathematician who loves precision and order, and her husband Ben (Jon Krupp), a former investigative reporter, are sitting at the table and talking, but it’s the kind of tense conversation that can quickly turn from controlled anger to fierce argument. Things are bad, very bad.

Elizabeth Gilbert (01/25/2010)

I fell in love with Elizabeth Gilbert’s smart, poetic, humorous and utterly authentic voice while reading Eat, Pray, Love.

Emmylou Harris (10/27/2009)

No matter how many songs Emmylou Harris sings or how many chords she strums, this legendary artist consistently sounds fresh and vibrant. At the Overture Center for the Arts in Madison, Wisconsin, I had the pleasure of seeing Emmylou and her Red Dirt Boys, along with special guest and opener Buddy Miller.

Decibelle (10/15 -10/18/2009)

The Decibelle Music & Culture Festival was a mixed bag, so I’m going to break it down for you, Clint Eastwood style. The Good Me'Shell Ndegeocello is a blessing. My plus-one and I attended her 10 p.m.

Sins Invalid (10/04/2009)

As a dancer, I feel most alive when I'm present in my body; when I breathe hard, feel the power of my feet on the ground, and sense the weight in my head and arms.

Feminist and Queer Performance: Critical Strategies

Feminist and Queer Performance is a collection of eleven previously published essays by Sue-Ellen Case, a Professor of Theatre and Critical Studies at UCLA. Exploring topics as diverse as butch-femme aesthetics, cyber-minstrelsy, W.O.W.

Chicago: The Musical (4/1/2009)

A few years ago, I took my two twenty-something nieces to see the Oscar-winning movie Chicago and was aghast at the plot. I thought, to borrow their words, “OMG!” Surely, my nieces would tell my family their “radical” aunt took them to see a movie where women imprisoned for killing men belt out, “He had it coming!” while doing the fiery Cell Block Tango.

The Hotel Café Tour (11/1/2008)

The Hotel Café began as a tiny coffee shop in Hollywood, California. Since then, it has developed into a twenty-one-and-older venue. In its initial cozy environs, the performers created a warm, collaborative environment, sharing the stage and watching each other perform. Four years ago, the Hotel Café began to tour with some of its most promising acts. The particular show that I attended in Williamsburg, Brooklyn was an eclectic collection of indie-folk festivities.

Culture Project presents... In Conflict (11/11/2008)

There was no better way to celebrate Veteran’s day then going to see In Conflict. Not only will it remind you of the trying times our soldiers are facing in Iraq, but also why you are proud to be an American. Based on journalist Yvonne Latty’s 2006 book of the same name, Douglas Wager digests Latty’s interviews with Iraq War Veterans, who have just returned from their tour of duty, into a series of monologues.

This is Burlesque

To go to a burlesque show is to indulge in somewhat of a lost form of entertainment. It’s as much about the experience as it is about the actual show. Sure, a line of beautiful women can strut around on stage in their skivvies, but if the nostalgia factor isn’t there, then it’s just another striptease.

Decibelle (9/23 - 9/27/2008)

To quickly describe my feelings regarding Decibelle (formerly known as Estrojam), allow me to offer this scenario. Imagine a child describing FAO Schwartz, moments after she's visited the toy store for the first time: "There's so much to do! There's so much to see! I danced and laughed and cried! I met great people! It was the most fun I've had all summer!" I've been sitting in my laptop's glare for days, wondering how to articulate these gushing sentiments more eloquently before I finally realized that the festival doesn't deserve a dry critique.

The Marvelous Wonderettes (9/13/2008)

When The Marvelous Wonderettes, a crinolined quartet of powerhouse girl singers, line up friskily behind their mics and belt out the opener, “Mr. Sandman,” with such flawless harmony and contagious glee, you instantly know you’ve been transported to pop musical heaven. Suddenly ‘50s nostalgia feels fresh and fun again. The recently opened Off-Broadway show is set in 1958 at the Springfield High Senior Prom, and then later fast-forwards to the 1968 reunion.

Queer Queens of Qomedy (08/01/2008)

Lesbians, like feminists, have no sense of humor. Or so we’ve been told… repeatedly. Poppy Champlin and her troupe of hilarious women-loving-women are busting that stereotype wide open. In various venues across the United States, the Queer Queens of Qomedy are met with crowds of queer fans and a hail of riotous laughter. I joined in on the gayety this past Friday night at the historic Birchmere music hall in Alexandria, Virginia, and I must say I’ve never laughed so hard in my life.
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