Despite years of being told not to, I immediately judged Victor Lodato’s novel Mathilda Savitch by the cover. I opened it expecting to speed through a mature version of Harriet the Spy with a twist of Tim Burton’s eccentricity.
Colin Diamond (Ray Winstone) is a pot-bellied British gangster happily married to Liz, his wife of twenty-one years (Joanne Whalley). The problem is she’s not happily married to him. When Liz tells Colin she’s leaving him for a lover, he slides from incredulity to rage. Marital delusions wrecked, he resorts to gangster methodology. He assaults his wife (mostly off-screen) to get the lothario’s name—a studly French waiter (Melvil Poupaud).
Colin has a four-man crew with whom he toils at their underworld trade.
The disenchantment of our parents, when we realize they’re humans too, is an unpleasant event of growing up. We all handle it differently. For Laurie Sandell, she put it into a graphic novel, The Impostor’s Daughter: A True Memoir.
How do you spin a nursery rhyme into a full-length musical? In this case, the uber-creepy poem in question is, thankfully, based in reality: the eponymous Lizzie Borden who reputedly “took an axe” and “gave her father forty whacks” was a real life New England girl accused—and acquitted—of murdering both her parents in the late nineteenth century, so there’s more than enough material to mine.
The nation appears to be greatly moved by the election of our first African American President. I eagerly await the election of the first open atheist to the highest office in the land, or at least the public consensus that religious practice or lack thereof is someone's own business, and by no means indicates competence as an executive.
Twin Peaks was the ultimate cult TV show: suspenseful, complex, and hilariously written with hidden layers that casual channel-flippers might not catch. Though it lasted only two seasons, David Lynch and Mark Frost's classic series is a brilliant piece of television, with dozens of intertwined subplots and a mystery death that goes a lot deeper than just murder.
Critiques of Elevate Difference and the content of any review on this site are welcome; however, we will not tolerate flaming, attacks, or any form of abuse. We appreciate constructive criticism and respectful feedback. Please read our full comment policy for details.
Make a Donation
Elevate Difference is a volunteer-run publication. If it inspires you to read a novel, see a film, or download an album, we hope you will donate to show your support.