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Fearless Female Journalists

admin — Fri, 23 Jul 2010 08:00:00 +0000

Fearless Female Journalists is a set of ten short profiles of female reporters, photojournalists, and newscasters hailing from various times and places over the last two centuries.

Among the women featured is one of the early pioneers of modern journalism: nineteenth-century American newspaperwoman Nellie Bly, a daredevil stunt reporter. Nelly Bly is perhaps most famous for circumnavigating the globe in seventy-three days in an era before airplanes, but she also took on assignments designed to do good as well as to make a splash. For example, she got herself admitted as a patient to the Women's Lunatic Asylum on Blackwell's Island in order to expose the terrible conditions there. In a later chapter, we meet Anna Politkovskaya, a Russian reporter who, despite her privileged origins as the daughter of diplomats, made the decision to risk–and ultimately lose–her life in order to report on the Russian occupation of Chechnya. (Politkovskaya was assassinated on October 7, 2006, at age forty-eight.) The book closes with a portrait of Thembi Ngubane, a young South African woman who recorded an audio journal about her life with AIDS as part of an effort to end the stigma around AIDS, as well as to push the South African government to acknowledge the tragic proportions of the AIDS epidemic.

The book is geared towards children–I estimate that it is most appropriate for an audience aged seven to eleven. The profiles are attractive and highly readable, complete with photographs and sidebars containing “fun facts.” The stories are entertaining and inspiring, and the selection of featured journalists reflects some variety in terms of era, type of journalism, and nationality (although the book still skews heavily toward heterosexual North American white women). Unfortunately, the book does have a downside–it is written from a “nice, liberal” standpoint, in which history is presented as an inexorable march towards progress, driven by a few exceptionally determined actors. This perspective glorifies individual high-profile “heroines” while erasing the history of communal struggle. It also obscures the reality that, in most cases, the few exceptional people who “make it big” do so not because they are more courageous or determined than thousands of others, but rather because they got lucky or started out with some “extras,” such as racial or class privilege.

The book reaches its nadir at the beginning of the final chapter, when it begins the profile of Thembi Ngubane by blatantly exoticizing her ethnicity: “Thembi Ngubane had a beautiful voice. Like her name, it was wonderfully African. Her voice flowed and lilted and swam around words, especially words with ‘r’ in them."

While I enjoyed reading Fearless Female Journalists and learning about the ten outstanding women profiled within, I could have happily done without the book’s uncritical, unconscious approach to the narrative of history and social change.

Written by: Ri J. Turner, July 23rd 2010

From Cronkite to Colbert: The Evolution of Broadcast News

admin — Sat, 07 Nov 2009 01:01:00 +0000

By Geoffrey Baym

Paradigm Publishers

I consider myself a bit of a news junkie so a title involving both Walter Cronkite and Stephen Colbert immediately caught my attention. While Cronkite was first able to break heavy concepts down for the masses and Colbert was later on able to do the same using humor, From Cronkite to Colbert is not able to do either. This was an extremely hard book to read, and in truth, I was not able to get past the middle.

Author Geoffrey Baym writes in an extremely dense, over-reaching style, making From Cronkite to Colbert read like an overzealous undergraduate thesis or a none too subtle proposal for the new COM201 textbook. Either way, instead of being entertained while learning, this book had me remembering everything I hated about studying for my communications minor. I read this book not because it was fun, but because I had to, and as a result, I really learned no new neat tidbits about the evolution of broadcast news.

Another pet peeve of mine was Baym’s breaking of the "don’t tell us, show us" cardinal rule of writing. In many of his paragraphs, he tells the reader—in hundred dollar words no less—exactly how this fact correlates to that one or where this next fact will take them. I was never surprised or intrigued, but merely taken by the hand as a reader and escorted to every point. By the time I made it to the book’s middle, after agonizing weeks of attempting to force myself to get through it, I gave up. Tracing the history of television news still seems like it would be an interesting topic to read up on; however, I’d come back to asking Baym to cover it only after he loosened up a little or possibly took up social drinking.

Written by: Jen Klee, November 6th 2009

The Cult of Celebrity: What Our Fascination with the Stars Reveals About Us

admin — Sun, 30 Aug 2009 23:56:00 +0000

By Cooper Lawrence

skirt!

I must admit that I have a minor addiction to so-called celebrity news. I’ll read People magazine at the gym and admit to having a fascination with hearing more about my favorite stars. This addiction is explained in The Cult of Celebrity.

The book breaks down our addiction by first equating it to worship. Celebrities are, to some extent, deified. They are put on a pedestal, separate and special from the rest of us. They can get away with all sorts of things that us ordinary mortals cannot. Part of the draw, as Lawrence explains, is the charisma that most celebrities have in spades.

We are inundated with celebrity culture in today’s world, and as Lawrence says, “The number of people we know in the ‘artificial world’—actors, singers, sportspeople, TV hosts—is much larger than the number of people we know in the real world.” We’re drawn to know more about celebrities because of a kind of personal connection we may feel with them; the relationship we have with a celebrity (all one-sided) is easier than many of our real life relationships. Yet, our connection to a celebrity can bring us closer to those around us. When in doubt, you can often gossip about the latest celebrity info with an acquaintance and find common ground.

Not only do we love celebrities, but many of the teens and twenty-year-olds today want to be celebrities. Our culture has emphasized the importance of fame, and many people are desperate for it. We think it is a quick fix to our lives, and that when we’re discovered, all our dreams will come true. Why else would shows like American Idol and America’s Got Talent be so popular?

Thankfully, Lawrence addresses the issue of young girls and celebrity. Films, TV shows, music, magazines, advertisements, and books are everywhere that cater to the young consumers desire to be famous and beautiful. Much of this emphasizes the purely superficial as the most important. The book has tips and hints for parents to provide positive parenting for children, including how to become the role model for your children.

The complicated cult of celebrity examined by Lawrence also encompasses celebrity endorsements and celebrities doing good. More people know about the crisis in Darfur thanks to celebrities like George Clooney; whether this is a good or bad thing is another issue. Not simply revealing her opinions on celebrity, Lawrence uses psychologists, philosophers, academics and researchers to support the points she makes.

Written by: Kristin Conard, August 30th 2009