asian

The 30 Minute Vegan's Taste of the East: 150 Asian-Inspired Recipes—from Soba Noodles to Summer Rolls

tina — Sun, 19 Dec 2010 00:00:00 +0000

The 30 Minute Vegan's Taste of the East is a compilation of recipes from India, Thailand, China, and Japan. There’s an additional section on Asian Fusion, featuring recipes from Korea, Vietnam, Indonesia, Tibet, and Nepal, as well as little known recipes from Iran and Afghanistan. Basically, this cookbook allows you to make vegan versions of your favorite Asian dishes in less time than it would take a delivery person to arrive.

Trying to obtain a vegan version of a menu item is difficult in most restaurants, especially if you frequented the restaurant in your pre-vegan life. I’ve had a restaurant owner swear that a particular dish could be made meatless, but once the food arrived it was clear that I received the standard dish. As a result, I began looking around for a cookbook that would have vegan versions of what I wanted to order in a restaurant. A lot of the cookbooks I found had the recipes, but both ingredient lists and cooking times were too long to be practical on a daily basis.

This cookbook solves both problems; it provides recipes you want in versions that can be made in thirty minutes or less and the ingredient lists provide item descriptions and any alternate names the items may go by. The book provides substitutions for those who do not have access to fresh ingredients, and a list of resources for those who prefer to shop for ingredients online.

The book is divided into sections by country and recipes are listed in menu order (soup through dessert), making it simple to pick and choose your meal plan. Recipes also include serving suggestions in the form of complementary dishes. All directions are easy to follow and recipe variations are provided to show how each dish can be prepared differently or with different ingredients. Recipes that take longer than thirty minutes are marked with a clock at the top of the page. Pages marked with a heart at the top are recipes for raw food items or items with raw variations.

Sidebars, Chef’s Tips and Tricks, and The Asian Pantry provide preparation tips and shortcuts, along with information on ingredients specific to the recipe’s country of origin. Appendixes include an informative preparation tutorial, a glossary, and a thorough listing of vegan resources for online shopping, education, and related topics of eastern spirituality and culture.

If you gave up a dish when you became vegan and never thought you’d see it again, have a look at this book; you’re likely to find it here. If you don’t see it immediately, read a few recipes in the area and you might find it under a different name. I found my long lost Tom Yum Gai under the name Galangal Lemongrass Soup. Once you find your lost beloved, try a new recipe to go with it. You’ll be glad you did!

Written by: Melissa Ruiz, December 18th 2010

Unfastened: Globality and Asian North American Narratives

admin — Tue, 18 May 2010 00:00:00 +0000

By Eleanor Ty

University Of Minnesota Press

In a similar vein as Caroline Rody’s The Interethnic Imagination and Rocío Davis' Begin Here, the monograph Unfastened has been a treat to read for the simple fact that author Eleanor Ty forefronts a wide range of readings that demonstrate the continued evidence of the heterogeneity that embodies the field of Asian North American literature. Ty’s book is called unfastened, precisely because it is a descriptive that designates the continuing complexity that has been emerging with the textual terrains around concepts of mobility, displacement, and diaspora that make fastening Asian North American literature to any one place practically impossible.

In the primary texts that Ty so elegantly analyzes, multiple nations, multiple local spaces, and multiple subjectivities are always imagined, such that her readings flow contextually, specific to particular aesthetic forms and contexts, but always linked by the notion of “globality.” Ty is careful about her terminology. She purposefully does not use the term Asian American precisely because she carves out a specific place for Asian Canadian cultural production in her work, which has had a long history of being too reductively classified within Asian American more broadly.

She also distinguishes globality from the globalization, rendering globality the more salient feature of her critical reading practice precisely because it is more connected to issues of economic differentials and power inequities that arise as bodies, cultures, ideas, technologies, etc. migrate to new locations and establish new spatial configurations. As Ty clarifies, “Issues of globality include concern for earth and our environment, health and the spread of disease across national borders, the globalization of markets, and the production of goods.”

The wide range of primary text readings are truly astonishing and we see what a fan of Asian North American narrative Ty is as she meticulously crafts her analyses to continually point to the ways that Asian North American writers are thinking about globality and routing that issue directly within their textual terrains. Taken together, Ty concentrates on Brian Roley’s American Son, Han Ong’s Fixer Chao, Larissa Lai’s Salt Fish Girl, Hiromi Goto’s The Kappa Child, Ruth Ozeki’s All Over Creation, Chitra Banerjee Divakaruni’s The Mistress of Spices, Sunil Kuruvilla’s Rice Boy, and Lydia Kwa’s This Place Called Absence, among others. Many of these authors are ones that have received very little critical attention, even though their works present such rich terrains upon which to consider the complexities of globalization.

While all the chapters provide sprightly interpretative readings in which texts cannot be fastened within one context or sociocultural moment, some standouts include chapter two’s “Recuperating Wretched Lives: Asian Sex Workers and the Underside of Nation Building” and chapter five’s “Shape-shifters and Disciplined Bodies: Feminist Tactics, Science Fiction, and Fantasy.” Given the astonishing range of writings being produced, Ty’s conclusion offers a corrective to the concept of Asian American literature, offering that the rubric of “global novelist and global writing are more accurate for terms and for works,” especially with respect to the increasingly non-domestic contexts of many narratives.

Ty leaves us then with the concept of the “Asian global,” conceptualized in part because such narratives “arise out of and are contingent upon globalization—the movement of people, capital, and production across the north and south—and because they are no longer located just in North America or Britain.” In ending this brief review, it would seem the possibility that Ty is pushing for a potentially new field rubric in which Asian global texts written in English appear front and center. In this way, the move to diasporic and transnational critiques which typically and traditionally have not shifted beyond a two-country paradigm can be supplanted with this Asian global literary studies model that pushes scholars to contextualize texts from multi-focal spatial axes.

Cross-posted at Asian American Literature Fans

Written by: Stephen Hong Sohn, May 17th 2010

Desi Land: Teen Culture, Class, and Success in Silicon Valley

admin — Mon, 12 Jan 2009 18:04:00 +0000

By Shalini Shankar

Duke University Press

Desi Land, Shalini Shankar’s ethnographic exploration of Desi teenagers in Silicon Valley during the late 1990s, is a fascinating look at South Asian American youth culture at a pivotal moment in modern American history.

The setting of the book makes it particularly compelling: California during the dot-com boom, when a confluence of "model minorities" are populating an increasingly profitable and technologically advanced work force. The combination of South Asian economic liberalization and American cultural capital creates a generation of Desi Land teenagers who are consumers of both traditional American pop culture and increasingly popular Bollywood and other South Asian music and movies. The teenagers deal with both pressure to be Americanized and encouragement (and desire) to express their cultural identities, with the caveat that they fit neatly into school-sponsored "Cultural Days" and do not disturb the white hegemony of their schools or communities.

The highly particular nature of this book belies its richness; Shankar delves deeply into the interplay of race, class, gender and social status. Desi Land determines its subjects' class in social and economic contexts, and defines teens as either middle class or upper middle class according to a set of criteria that includes "the type of work their parents do, whether both parents work, and their parents' level of education, English proficiency, neighborhood, home, cars, and lifestyle." The students are also defined by the terms "FOBby" (from the acronym for "fresh off the boat") or "popular," depending on their social standing at school. Gender also plays a pivotal role in the life experiences of the teens in Desi Land, and Shankar does an admirable, if understated, job of relating the additional set of conflicting expectations placed on the young women she interviews.

Shankar sympathetically recounts the teens' experiences in schools, family life, social and religious activities, and romantic relationships, as well as their hopes and dreams for the future, all with a researcher’s eye for patterns of behavior and belief, and a fellow South Asian's firsthand understanding and empathetic detail. This book’s vibrancy and immediacy, even a decade later, make it an absorbing read for anyone interested in cultural studies.

Written by: Jennifer Wedemeier, January 12th 2009