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Hide Your Face(book) in Shame: Facebook and The Censorship of Female Sexuality

admin — Fri, 03 Sep 2010 08:00:00 +0000

Interview with Self Serve

A lot can happen in ten minutes. You can make your morning commute to work. You can do twenty sit-ups. You can have an orgasm. If you are business owners Molly Adler and Matie Fricker of Albuquerque's Self Serve Sexuality Resource Center, ten minutes can be all the time you need to inform people about the hazards of labiaplasty.

Also known as female genital cosmetic surgery (FGCS), labiaplasty is a controversial elective medical procedure that involves the surgical re-shaping of labia in order to make a woman's vulva look more “appealing.” A 2007 statement about FCGS, issued by the American College of Obstetricians and Gynecologists (ACOG), read as follows: "Women should be informed about the lack of data supporting the efficacy of these procedures and their potential complications, including infection, altered sensation, dyspareunia, adhesions, and scarring."

In true sex-positive, DIY spirit, Adler and Fricker, along with Alee Ross-Raymond, put together a YouTube video called You Don't Need Labiaplasty. According to Matie Fricker:

“We created a video that included pictures of vulvas from Betty Dodson’s genital art gallery. So many women have body dysmorphia, and seeing unedited photos of healthy diverse genitalia is important. The video also included an impassioned plea to love your body. We had posted two versions of the video on YouTube. One of the video's start screens had Molly’s face on it, and [the other] was a full frontal vulva in an unaroused state. The video with the vulva on it got ten times as many hits.

“I posted the video on our Facebook page with the vulva because it was clear from our experience on YouTube that people wanted to see the female body. I posted the video on our Facebook page and the response was overwhelmingly positive. Many women thanked us and confessed to insecurities they had long carried.

“One of the comments was negative. Of our 1,300+ fans we lost one. I spoke to Molly about it the next day... and we decided we were going to post our next status update asking what our community felt was appropriate. The only people who saw the video were people who had self-selected to be our fans. We had decided we would ask our fans what they wanted to see and adjust accordingly.”

Before the women could act on their decision, Self Serve’s page and all of their administrative pages had been removed from Facebook.

Molly Adler sent off a message to a representative in Facebook's User Operations department seeking the reactivation of all accounts. On August 2, 2010 Adler was told that all of the personal accounts belong to Self Serve administrators were reactivated, but that the Self Serve page itself would not be reinstated due to terms of use violation.

Would Facebook have banned the Self Serve account had it not used that screen shot, but still used images of vulvas throughout the video? Would Facebook have banned the account had the video been posted completely devoid of any genital images? Why does Facebook consider a vague notion of safety and an honest discussion about the very real hazards of female genital modification to be at odds with one another?

These questions are not just “what-ifs.” Sadly, they're also rhetorical. At the time of this writing—over a month after the banning of Self Serve's page—the administrators of the Self Serve account never heard got a reply to their last e-mail, and their account is still suspended.

Self Serve isn't the only women-owned sexuality boutique to have its Facebook page banned. Chicago's Early2Bed also lost their page. E2B founder Searah Deysach started her feminist sex shop in 2001 because she “love[s] sex toys and wanted to create a safe space for people to buy and explore them.” Deysach started a company Facebook page about two years ago. According to Deysach, while it existed, the page was warmly received with around 500 followers.

And then one day, the Early2Bed Facebook page simply disappeared. “No specific reason was given so I read the rules and the only thing we could have possibly violated was the obscenity clause, but we had... nothing more 'obscene' than the other sex shops that have pages.”

Like Self Serve, E2B was notified about the account's banning by email. Like the owners of Self Serve, Deysach contacted Facebook to find out what could be done. Unlike Self Serve, however, no reasons were given for the E2B account disappearance. Deysach went on to say that she has received “no responses to our many emails.”

So what's the deal with Facebook? Why are they so freaked out by lady parts and the sex-positive women who seek to celebrate them?

In order to get some sort of answer out of Facebook regarding their position on this issue, I went to the source itself—specifically, to the Statement of Rights and Responsibilities and to the Facebook Principles. Please keep in mind that Facebook claims that the former is “derived” from the latter.

Section 3 of the Facebook Statement of Rights and Responsibilities, labeled “Safety,” states: “You will not post content that: is hateful, threatening, or pornographic; incites violence; or contains nudity or graphic or gratuitous violence.” Here, Facebook lumps sex and violence together, putting them on par with one another. Not only that, but they are apparently also willing to consider nudity synonymous with pornography. Herein lies one of the (many) problems.

Section 4 reads as follows: “If we disable your account, you will not create another one without our permission.” That's all well and good, but how can a former user get permission to create a new account when representatives stop responding to their emails?

Further along, section 4.5 states that no one under the age of thirteen can have a Facebook account. How can Facebook hide behind the argument of “safety” as a justification for censoring images of women's genitalia? The United States is the company’s biggest market. By age thirteen, most children educated in U.S. public schools are already learning sex education. Granted, it's likely an “abstinence-only” curriculum, but children are still being exposed to anatomical representations of the human genitals by that point in their lives. Furthermore, Facebook has its own “Safety Center,” including a sub-section labeled “Safety For Parents.” The information provided includes ways that an account's privacy settings can be modified to block those profiles that users do not want to see.

Section 5 is “Protecting Other People's Rights.” SRR Secs. 5.3 and 5.4 state that “We will provide you with tools to help you protect your intellectual property rights. If we remove your content for infringing someone else's copyright, and you believe we removed it by mistake, we will provide you with an opportunity to appeal.” I find the language of this section particularly contentious, as it seems that “protection of other people's rights” in the Facebook world extends only to the possibility of intellectual property infringement; it has nothing to do with the right to free speech. In fact, it doesn't just seem that way; it is that way.

Let's move on to selections from the unintentional hilarity that is “The Facebook Principles.” From Principle 3, “Free Flow of Information”: "People should have the freedom to access all of the information made available to them by others. People should also have practical tools that make it easy, quick, and efficient to share and access this information."

Yes, they should. But when people are denied access to that information by: a. dictating what is acceptable speech; and then b. banning accounts belonging to individuals or organizations who try to share important information that you have nonetheless deemed “unacceptable,” a company proves itself to be stunningly ignorant and embarrassingly hypocritical all at once.

From Principle 7, “Fundamental Service”: "People should be able to use Facebook for free to establish a presence, connect with others, and share information with them. Every Person should be able to use the Facebook Service regardless of his or her level of participation or contribution."

Unless Facebook deems that the information you're trying to share is “pornographic” rather than, y'know, informative (not to mention supported by the American medical establishment), in which case you get the boot.

From Prinicple 8, “Common Welfare”: "The rights and responsibilities of Facebook and the People that use it should be described in a Statement of Rights and Responsibilities, which should not be inconsistent with these Principles."

It would be nice were this the case, but sadly, it's not. The SRR is inconsistent with the supposed Facebook Principles. You can try to spin it otherwise, but the proof is in right there online, plain as day for everyone with the most basic critical analytical skills to evaluate.

From Principle 9, “Transparent Process”: "Facebook should publicly make available information about its purpose, plans, policies, and operations. Facebook should have a town hall process of notice and comment and a system of voting to encourage input and discourse on amendments to these Principles or to the Rights and Responsibilities." Facebook will not, however, respond to e-mail pleas from otherwise conscientious users with noble intentions and loads of supporters.

It was extraordinarily savvy of Facebook's PR team/bevy of lawyers/Department of Cognitive Dissonance to start pretty much every sentence of its "Facebook Principles" with the phrase "People should have..." Yes, people (and groups and organizations and businesses, et al) should have all of those things Facebook has delineated among their supposed principles. But a quick perusal of the SRR, combined with the reality of their actions in relation to supposedly "objectionable" content, clearly indicates that this is simply not the case. It's as though they're saying, "You totally should have these things–but you don't. And you won't. Because we're not gonna let you."

The larger question is this: How do sex-positive individuals, businesses, and organizations combat this sort of societal resistance to–and censorship of–female sexuality?

In response, Molly Adler and Matie Fricker at Self Serve told me, “We can continue to try following the rules, terms etc., and challenging this notion that all sexual information and all images of the human body are obscene. That notion is obscene! The more space and voice sex positive feminists are given to speak for shame-free, guilt-free positive sexuality, the more perhaps our culture will steer in that direction.”

Searah Deysach added, “We need to continue to be vocal and fight censorship when we can! We need to band together to be a louder voice. We need to keep promoting sex positive imagery and ideas wherever we can. Facebook is huge, but there are lots of other venues out there.”

Written by: M. Brianna Stallings, September 3rd 2010

©ontent: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future

admin — Thu, 23 Jul 2009 16:39:00 +0000

By Cory Doctorow

Tachyon Publications

He’s been dubbed the “William Gibson of his generation,” but Cory Doctorow is more than a cyberpunk novelist or futurist. He’s an activist, a Creative Commons advocate, tech blogger, and journalist. I don’t come to Doctorow’s non-fiction work by way of his sci-fi novels. In fact, I only know the Doc as a gizmo and copyright guru famous for sites like Boing Boing and essays in Wired and Salon.

A book like ©ontent is an excellent case study in the impermanence of information. In a world where technology can evolve in a day, Doctorow’s work is both informative and outdated. The book begins with multiple essays about the failures of DRM—digital rights management, which is that obnoxious anti-piracy copyright code that makes it impossible to share downloaded files—but anyone who follows headlines about the issue knows that in the past year, the DRM battle has largely been won by laypeople; Apple has ceased selling DRM tracks in iTunes, for example. That isn’t to say Doctorow’s analysis isn’t useful. His now two-year-old essays serve largely as historical information in an era of meteoric technological and ethical shifts.

Doctorow is often too much of a technophile, incompatible with my own neo-Luddite tendencies; but I nevertheless respect his outlook and options. I suspect his work is most accessible to folks already engaged in analysis of copyright and new media. I’m most fond of his love of relaxed copyright regulation—though whether or not I think his theories are plausible is another matter. As a man who gives away his own ebooks, his early distaste of Amazon.com’s Kindle is charming. When he spends four pages defending fan fiction, it is in part because of his own history writing the genre. I love anyone who practices what they preach.

Doctorow also makes one sizable contribution to misinformation that I’d be remiss to not mention. In his essay “Why Is Hollywood Making a Sequel to the Napster Wars?” he mentions in passing that YouTube was founded by “two guys in a garage.” One of the largest myths of tech start-ups, the men in the garage story is not only an overused cliché; in this case, it is categorically untrue. YouTube was founded by three San Francisco PayPal veterans, supposedly at a dinner party, but despite widespread reports to the contrary, the idea grew over time and was not conceived in one evening of eating and drinking with friends. It may seem small, but when it comes to avoiding such blatant fact-checking mistakes, I expect more from an expert like Doctorow.

His largest contribution as a writer—both as a freelancer and a novelist—is his unrepentant championing of free books. ©ontent has been simultaneously released as a free ebook, so while I held a hard copy in my hands because I don’t personally believe tangible books are a dying medium, I respect Doctorow’s commitment to accessible media. I also happen to believe people like him when they say, “Giving away my books has made me a bunch of money.” Making yourself valuable and indispensable, in whatever form, is something for which we can all strive.

Written by: Brittany Shoot, July 23rd 2009

Natalie Tran - CommunityChannel

admin — Sat, 04 Apr 2009 16:33:00 +0000

By Natalie Tran

Natalie Tran, a 22-year-old Australia vlogger, has created a small sensation on YouTube. The reigning queen of Australian YouTubers, she is a young, fresh-faced woman with self-deprecating humor who picks on the mundane snags of life that often get under our skin. It's a Seinfeld approach to humor, except this channel features a smart-mouth Vietnamese woman who begins each video with a quirky wave and smile.

The videos are often short, less than five minutes, with mild irreverence and profanity scattered throughout. Her satirical style is engaging, highlighting comments she receives from viewers and labels that portion of her videos "Comments/Porn Music Time," which is befitting of her overall "your mum" jokes and "ugly word of the video" persona.

A community channel with nearly 200,000 subscribers, Natalie's place is dubbed the site where "bandwidth commits suicide and cool goes to die," and has been embraced all over the globe, deeming her the number one most subscribed Australian channel on YouTube.

In some comments there are references and comparisons to HappySlip, another popular Asian comic female vlogger based out of New York, who stamped her Internet fame with the Filipino flag and primarily focuses on the Philippines and Filipino American culture.

Both have strong followings, but the difference between the two is target audience. Tran, who came on the interwebs in 2006, utilizes YouTube without an independent website, and appeals to a wide variety of viewers, but has a younger flavor to her videos. She speaks on the fly and grounds her 130 videos (and growing by the week) in casual humor relating pop culture, sexuality, Australian temperatures, and everyday grumbles.

Christine Gambito from HappySlip, who also launched her comedic career in 2006, has fewer sketches (eighty-one videos), and her skits play on the safer but still hilarious side of web entertainment. Topics range from her personal connection to the Philippines, to a friend passing away, to Facebook etiquette. Unlike Tran, she steers clear of any sexual innuendo and often showcases her musical talents. With her own domain and easy to navigate website, HappySlip has a more mature feel than Natalie’s community channel, which works in Natalie’s favor.

Natalie’s appeal to a young generation has spread far and wide and her success story proves that YouTube remains the hotbed for raw talent and creativity. Her popularity has skyrocketed so quickly it will not be surprising when a global linguistic trend begins to take hold; when "yeh" replaces "yeah," while "man" and "mate" are tagged at the end of sentences.

Written by: Lisa Factora-Borchers, April 4th 2009