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    <title>Rocklittleface Music</title>
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    <title>Thirteen</title>
    <link>http://elevatedifference.lndo.site/review/thirteen</link>
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      &lt;div class=&quot;author&quot;&gt;By &lt;a href=&quot;/author/tribella&quot;&gt;Tribella&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;publisher&quot;&gt;&lt;a href=&quot;/publisher/rocklittleface-music&quot;&gt;Rocklittleface Music&lt;/a&gt;&lt;/div&gt;    &lt;/div&gt;
    &lt;p&gt;“Jangly” is a complimentary adjective in my music lexicon. It&#039;s a descriptor applied quite often to indie rock bands of the early &#039;90s: think classic-era music from UK label 4AD. In the case of Texas trio Tribella, jangly serves as both a term of endearment as well as a nod to their forebearers. These darlings of the Austin music scene produce edgy ethereal power pop, showcased in fine form on their debut full-length album &lt;em&gt;&lt;a href=&quot;http://www.amazon.com/gp/product/B003DUFVOO?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B003DUFVOO&quot;&gt;Thirteen&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;Released on the heels of the six-song EP &lt;em&gt;&lt;a href=&quot;http://www.amazon.com/gp/product/B001UHBGKU?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B001UHBGKU&quot;&gt;My Guest List&lt;/a&gt;&lt;/em&gt;, and following the band&#039;s 2009 U.S. tour, Tribella&#039;s &lt;em&gt;&lt;a href=&quot;http://www.amazon.com/gp/product/B003DUFVOO?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B003DUFVOO&quot;&gt;Thirteen&lt;/a&gt;&lt;/em&gt; is an ambitious collection, featuring nine (highly) original songs and one remix. Tribella has three members: lyricist, guitarist and lead vocalist Sarah Glynn, bassist Rae Golding, and drummer/vocalist Dena Gerbrecht. They&#039;ve kept good live company, sharing stages with such artists as San Antonio trio &lt;a href=&quot;http://feministreview.blogspot.com/2009/06/girl-in-coma-trio-bc_21.html&quot;&gt;Girl in a Coma&lt;/a&gt; and music festival mainstay Sarah Bettens (&lt;a href=&quot;http://www.amazon.com/gp/product/B000002BMR?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B000002BMR&quot;&gt;K&#039;s Choice&lt;/a&gt;). The group dips its toes into pseudo-Britpop, indie rock, prog, shoegaze, and even math rock. The result is a gleaming multifaceted expanse, leaping joyously from rhythm to rhythm–often within the same song–while still achieving a constancy of sound that successfully unifies the album.&lt;/p&gt;

&lt;p&gt;With lyrics like “Think of all the books you&#039;ll read/Now that you&#039;re rid of me,” the title track is wry bittersweet barb. Its sting hearkens back to the Lush song, “Ciao!” (featuring Jarvis Cocker of &lt;a href=&quot;http://www.amazon.com/gp/product/B000001E8P?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B000001E8P&quot;&gt;Pulp&lt;/a&gt;), in which a recently separated couple barrage each other with insults while wallowing in regret and denial. “Revolution Script” eloquently considers the socio-political impact of our actions, sans preachiness: “Look back with a rock in my hand/Throw it in the future/Hope it might land.”&lt;/p&gt;

&lt;p&gt;Previously released EP lead track “My Guest List” also features prominently on &lt;em&gt;&lt;a href=&quot;http://www.amazon.com/gp/product/B003DUFVOO?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B003DUFVOO&quot;&gt;Thirteen&lt;/a&gt;&lt;/em&gt;, both in its original form and as a tinkling, yet somewhat tepid, remix courtesy of Eric LeRoc. There&#039;s a sassy defiant charm to its chorus: “And all the world that matters/Will be on my guest list/And all my friends that matter/Will be on my guest list.” It seems to be at once mocking such a shallow mentality, while at the same time celebrating the truly important things in our own little microcosms by bestowing upon them the honor of VIP status.&lt;/p&gt;

&lt;p&gt;For me, Tribella&#039;s sound is so familiar that it&#039;s difficult to critique. I just... like it. I delight in their use of irregular meters (highlighted with the title song, which is played in 13/8 time), their cynical-sweet lyrics, and most of all, Glynn and Gerbrecht&#039;s dense harmonies. If your heart doesn&#039;t beat to the rhythms of groups like &lt;a href=&quot;http://www.amazon.com/gp/product/B000002MIA?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B000002MIA&quot;&gt;Belly&lt;/a&gt;, &lt;a href=&quot;http://www.amazon.com/gp/product/B000002LO7?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B000002LO7&quot;&gt;Throwing Muses&lt;/a&gt;, &lt;a href=&quot;http://www.amazon.com/gp/product/B000002MQA?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B000002MQA&quot;&gt;Lush&lt;/a&gt;, or &lt;a href=&quot;http://www.amazon.com/gp/product/B001SZ29NC?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B001SZ29NC&quot;&gt;Metric&lt;/a&gt;, then Tribella might not be your cup of tea. Not everyone cottons to the complex flavors of genre-defying rock. But do me a favor: give it a teensy taste. Please? You never know. You just might like it.&lt;/p&gt;    &lt;div&gt;
      &lt;span class=&quot;reviewer-names&quot;&gt;&lt;strong&gt;Written by:&lt;/strong&gt; &lt;a href=&quot;/reviewer/m-brianna-stallings&quot;&gt;M. Brianna Stallings&lt;/a&gt;&lt;/span&gt;, May 24th 2010    &lt;/div&gt;
    &lt;div class=&quot;tag-list&quot;&gt;Tags: &lt;a href=&quot;/tag/brit-pop&quot;&gt;brit pop&lt;/a&gt;, &lt;a href=&quot;/tag/indie-rock&quot;&gt;indie rock&lt;/a&gt;, &lt;a href=&quot;/tag/power-rock&quot;&gt;power rock&lt;/a&gt;, &lt;a href=&quot;/tag/prog-rock&quot;&gt;prog rock&lt;/a&gt;, &lt;a href=&quot;/tag/shoegaze&quot;&gt;shoegaze&lt;/a&gt;&lt;/div&gt;    &lt;/div&gt;
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     <comments>http://elevatedifference.lndo.site/review/thirteen#comments</comments>
 <category domain="http://elevatedifference.lndo.site/section/music">Music</category>
 <category domain="http://elevatedifference.lndo.site/author/tribella">Tribella</category>
 <category domain="http://elevatedifference.lndo.site/publisher/rocklittleface-music">Rocklittleface Music</category>
 <category domain="http://elevatedifference.lndo.site/reviewer/m-brianna-stallings">M. Brianna Stallings</category>
 <category domain="http://elevatedifference.lndo.site/tag/brit-pop">brit pop</category>
 <category domain="http://elevatedifference.lndo.site/tag/indie-rock">indie rock</category>
 <category domain="http://elevatedifference.lndo.site/tag/power-rock">power rock</category>
 <category domain="http://elevatedifference.lndo.site/tag/prog-rock">prog rock</category>
 <category domain="http://elevatedifference.lndo.site/tag/shoegaze">shoegaze</category>
 <pubDate>Tue, 25 May 2010 00:00:00 +0000</pubDate>
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 <guid isPermaLink="false">4049 at http://elevatedifference.lndo.site</guid>
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