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    <title>Emanuel and The Fear</title>
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    <title>Listen</title>
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      &lt;div class=&quot;author&quot;&gt;&lt;a href=&quot;/author/emanuel-and-fear&quot;&gt;Emanuel and The Fear&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;publisher&quot;&gt;&lt;a href=&quot;/publisher/paper-garden-records&quot;&gt;Paper Garden Records&lt;/a&gt;&lt;/div&gt;    &lt;/div&gt;
    &lt;p&gt;Initially, I was put off by Emanuel and The Fear. I didn’t understand their show tunes inspiration, their jaunty piano melodies, and their choral backing. It’s been a long road from the high school show choir stage to the sofa where I sit today, and it took several weeks for &lt;em&gt;&lt;a href=&quot;http://www.amazon.com/gp/product/B0034C24O6?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B0034C24O6&quot;&gt;Listen&lt;/a&gt;&lt;/em&gt; to grow on me. Once it did, it was a like a viral infection for which there is no cure.&lt;/p&gt;

&lt;p&gt;Emanuel and The Fear sound like some combination of The Mountain Goats meets Bowie meets The Polyphonic Spree meets &lt;em&gt;&lt;a href=&quot;http://www.amazon.com/gp/product/B00000HZFP?ie=UTF8&amp;amp;tag=feminrevie-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B00000HZFP&quot;&gt;Hedwig And The Angry Inch&lt;/a&gt;&lt;/em&gt;. (Throw in some Arcade Fire for good measure.) Epic, sweeping melodies complete with cymbal clashes blend rather comfortably with mostly-spoken lyrics. The album—a neverending musical storytelling exercise if there ever was one—is best played in one steady stream, no skipping tracks, no searching for radio-ready singles. For this reason alone, I can only imagine how amazing Emanuel and The Fear—all eleven of them—are in concert.&lt;/p&gt;

&lt;p&gt;Though all the songs fit together seamlessly, “Jimme’s Song” was an immediate favorite with Jimme lamenting, via Emanuel, “I don’t want to do nothing but be in a rock band/I don’t wanna get a job/I don’t wanna be a man.” Thankfully—for me, if not for my partner—this anti-adult sentiment doesn’t describe my ex-boyfriends so much as it describes me. Sometimes I am so freaking pleased that I don’t conform to daily wage slavery in a cubicle; other days, it seems a little too obvious that I am over-educated and under thirty. All I want is a metaphorical rock band—the real one, not that video game fakery—to be my job, to pay the bills. Instead, I review albums. We all make compromises.&lt;/p&gt;

&lt;p&gt;Similarly, “Free Life” speaks to the ways you can take control of your own destiny. “It’s a free life if you live it/Why not give it a try.” For all the unfortunate things I have been in my life, the worst thing I’ve ever been was confined.&lt;/p&gt;

&lt;p&gt;“Same Way” also speaks to my romantic-but-partnered heart—as if one supersedes the other. To no one’s surprise, I am the downer half of the couple, the misanthrope who cries for no reason and will never be satisfied with my own twisted version of “success.” Just the other night, I was actively frowning (not that I noticed), and my partner leaned over to look at my glum face. “It’s really hard,” he said with total sympathy.” “What is?” I asked. “To be happy.”&lt;/p&gt;

&lt;p&gt;&lt;em&gt;How you can’t seem to be happy&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;Unless you’re making some poor girl feel the same&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;But I don’t wanna be that way&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;So if you gotta leave me babe&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;I won’t say anything&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;With an impressively generous nineteen songs on one album, Emanuel and The Fear remind me of all the reasons I fell in love with the total album experience as a youngster. Catch them on tour this spring and tell me how much you loved the show.&lt;/p&gt;    &lt;div&gt;
      &lt;span class=&quot;reviewer-names&quot;&gt;&lt;strong&gt;Written by:&lt;/strong&gt; &lt;a href=&quot;/reviewer/brittany-shoot&quot;&gt;Brittany Shoot&lt;/a&gt;&lt;/span&gt;, March 26th 2010    &lt;/div&gt;
    &lt;div class=&quot;tag-list&quot;&gt;Tags: &lt;a href=&quot;/tag/epic&quot;&gt;epic&lt;/a&gt;, &lt;a href=&quot;/tag/indie-pop&quot;&gt;indie pop&lt;/a&gt;, &lt;a href=&quot;/tag/symphonic-rock&quot;&gt;symphonic rock&lt;/a&gt;&lt;/div&gt;    &lt;/div&gt;
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 <category domain="http://elevatedifference.lndo.site/section/music">Music</category>
 <category domain="http://elevatedifference.lndo.site/author/emanuel-and-fear">Emanuel and The Fear</category>
 <category domain="http://elevatedifference.lndo.site/publisher/paper-garden-records">Paper Garden Records</category>
 <category domain="http://elevatedifference.lndo.site/reviewer/brittany-shoot">Brittany Shoot</category>
 <category domain="http://elevatedifference.lndo.site/tag/epic">epic</category>
 <category domain="http://elevatedifference.lndo.site/tag/indie-pop">indie pop</category>
 <category domain="http://elevatedifference.lndo.site/tag/symphonic-rock">symphonic rock</category>
 <pubDate>Fri, 26 Mar 2010 08:00:00 +0000</pubDate>
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