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    <title>Emergence Media</title>
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    <title>The Revival</title>
    <link>http://elevatedifference.lndo.site/review/revival</link>
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      &lt;div class=&quot;author&quot;&gt;Directed by &lt;a href=&quot;/author/invincible&quot;&gt;Invincible&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;publisher&quot;&gt;&lt;a href=&quot;/publisher/emergence-media&quot;&gt;Emergence Media&lt;/a&gt;&lt;/div&gt;    &lt;/div&gt;
    &lt;p&gt;In October 2009, &lt;a href=&quot;http://www.newyorker.com/arts/critics/musical/2009/10/26/091026crmu_music_frerejones&quot;&gt;hip-hop was declared dead&lt;/a&gt; yet again by music critic and &lt;em&gt;New Yorker&lt;/em&gt; writer &lt;a href=&quot;http://sashafrerejones.com/&quot;&gt;Sasha Frere-Jones&lt;/a&gt;. (Nas did it first three years earlier.) Whenever something is pronounced to be down for the count, however compelling their technical argument may be, I always find myself asking, &quot;What is this person missing?&quot; By focusing on the likes of Jay-Z, Frere-Jones is missing &lt;em&gt;&lt;a href=&quot;http://thefembassy.com/?page_id=1960&quot;&gt;The Revival&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;Also in 2009, while touring Europe as a part of &lt;a href=&quot;http://www.bgirlz.com/&quot;&gt;We-B Girlz&lt;/a&gt;, Detroit femcee &lt;a href=&quot;http://feministreview.blogspot.com/2008/07/invincible-shapeshifters.html&quot;&gt;Invincible&lt;/a&gt; began filming the performances and backstage conversation of such worldwide musical luminaries as Roxanne Shante, Bahamadia, Stacy Epps, DJ Shortee, and Eternia. The footage was then compiled by &lt;a href=&quot;http://emergencemusic.net/&quot;&gt;Emergence Media&lt;/a&gt; into a seventeen-minute documentary about the way women use their various hip-hop skills—from old school to conscious to groundbreaking shit—to put forward a message about radical politics, spirituality, and social justice. It gives a personal glimpse into the motivations of a few women who do their thing outside of the mainstream scene.&lt;/p&gt;

&lt;p&gt;Hip-hop isn&#039;t dead. It&#039;s just that the good stuff doesn&#039;t have (or want) the corporate cash necessary to get a write up in &lt;em&gt;The New Yorker&lt;/em&gt;.&lt;/p&gt;    &lt;div&gt;
      &lt;span class=&quot;reviewer-names&quot;&gt;&lt;strong&gt;Written by:&lt;/strong&gt; &lt;a href=&quot;/reviewer/mandy-van-deven&quot;&gt;Mandy Van Deven&lt;/a&gt;&lt;/span&gt;, January 6th 2010    &lt;/div&gt;
    &lt;div class=&quot;tag-list&quot;&gt;Tags: &lt;a href=&quot;/tag/documentary&quot;&gt;documentary&lt;/a&gt;, &lt;a href=&quot;/tag/hip-hop&quot;&gt;hip hop&lt;/a&gt;&lt;/div&gt;    &lt;/div&gt;
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     <comments>http://elevatedifference.lndo.site/review/revival#comments</comments>
 <category domain="http://elevatedifference.lndo.site/section/films">Films</category>
 <category domain="http://elevatedifference.lndo.site/author/invincible">Invincible</category>
 <category domain="http://elevatedifference.lndo.site/publisher/emergence-media">Emergence Media</category>
 <category domain="http://elevatedifference.lndo.site/reviewer/mandy-van-deven">Mandy Van Deven</category>
 <category domain="http://elevatedifference.lndo.site/tag/documentary">documentary</category>
 <category domain="http://elevatedifference.lndo.site/tag/hip-hop">hip hop</category>
 <pubDate>Wed, 06 Jan 2010 04:07:00 +0000</pubDate>
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 <guid isPermaLink="false">1786 at http://elevatedifference.lndo.site</guid>
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