Who Should Be First?: Feminists Speak Out on the 2008 Presidential Campaign

mandy — Sun, 24 Oct 2010 16:00:00 +0000

Edited by Beverly Guy-Sheftall, Johnnetta Betsch Cole

Please read this book. If you were in any way inspired by the groundbreaking 2008 election of President Barack Obama, you will find an essay in Who Should be First? that speaks what's been on your mind, challenges your way of thinking, causes you to feel frustrated, or represents the many complex emotions you felt on that historic day.

Bravo to Beverly Guy-Sheftall and Johnnetta Betsch Cole for compiling this diverse and inspiring anthology. At first glance, I saw all the usual names (i.e., Valenti, Steinem, Walker) and warily assumed that this would be one more tribute to the same feminist pundits, as always. But you will find essays from many feminist points of view in this compilation, and a lot of them (thankfully!) point out that “women” and “people of color” are not mutually exclusive groups. The press often ignored women of color during this election, leaving us to think that everyone had the luxury to choose between race and gender allegiances.

I wish I had owned this book during the election, although of course that would have been impossible. The essays recall conflicted feelings I experienced when trying to decide between the two potential Democratic Presidential candidates. The authors explore the divisive, oft repeated claims of the time: that gender was a greater barrier to overcome than race, that young feminists were naive or stupid to vote for Obama, that Bill Clinton had been the first Black President and, therefore, Black voters should support Hillary, etc. The editors arranged the book book to highlight, rather than smooth over, these opposing views.

In one essay, the author explained that she was voting for Hillary because gender was the greatest barrier to overcome. In the following essay, a different author explained that she was voting for Barack because race was the greatest barrier to overcome. The authors of all the essays express various thoughtful points of view, but I have not been able to stop mulling over Jane Caputi’s “Crisis of Representation: Hate Messages in Campaign 2008 Commercial Paraphernalia.” Originally published in the Denver University Law Review last year, it is a comprehensive, although by no means exhaustive, study of visual representations of the rampant sexism, racism, ageism, and ableism expressed during the campaign not only against Barack Obama and Hillary Clinton, but also Michelle Obama, John McCain, and Sarah Palin. This essay actually made me feel nauseous. If you can stomach the hateful and disgusting images, it is a powerful reminder (in case you forgot) of the vivid hate speech both Democratic candidates had to battle.

“Sex Versus Race, Again,” by Tracy A. Thomas, is another well-researched piece that compares the 2008 election to the fight for women’s voting rights in the early twentieth century. Thomas shows that drawing a line in the sand didn’t work then and won’t work now. The either/or strategy leaves everyone at a loss.

Read Who Should be First? to remember the electric energy you felt two years ago. We all knew that the political world was changing, and after eight bleak years with a warmongering President, even the most cynical of us began to hope. With the November elections around the corner, and the threat of right-wing extremists garnering control of Congress, think back to a time where you were excited, enthralled, and inspired by politicians.

Cross-posted at Gender Across Borders

Written by: Colleen Hodgetts, October 24th 2010

I Am Your Sister: Collected and Unpublished Writings of Audre Lorde

admin — Sun, 14 Jun 2009 22:28:00 +0000

By Rudolph P. Byrd, Johnnetta Betsch Cole, Beverly Guy-Sheftall

Oxford University Press

I Am Your Sister is a collection for those who want and need to be introduced to Audre Lorde’s thinking, and it is a great anthology for those who have read and been inspired by Lorde’s writing all of their lives. How is this possible? Because I Am Your Sister is not just a collection of Lorde’s seminal work, but a celebration, an honoring, and a thoughtful presentation of who Lorde was—a black lesbian feminist activist and writer. The celebration consists of essays that changed the landscape of feminist thinking (such as the selections from Sister Outsider, as well as the full text of A Burst of Light), pieces of nonfiction that have been scarcely published or never before been published, speeches that have never before been seen in print, and a final section consisting of contemporary writers reflecting on the importance and meaning of Lorde’s work in today’s society.

I Am Your Sister is all of the things, and it is so much more. I see it as a revelation of sorts—an eye opener to how the struggles of past times continue to be what we grapple with today. Rudolph Byrd’s informative and phenomenal introduction to the anthology shows us how, “Whether addressing racism, sexism, or homophobia, Lorde was concerned always with complexity and the sense of possibility that the discourse of difference invokes.” This idea of difference, of this challenge to choose, as Lorde says, “to define my difference as you must choose to define yours, to claim it and use it as creative before it is defined for you and used to eradicate any future, any change” is an idea and challenge that is still present in today’s political and activist communities. I Am Your Sister, therefore, is also a tool for survival—a teacher to help us realize our possibilities for change.

Those familiar with Lorde’s work will also appreciate the never before published essays and speeches. While they touch on the themes that permeate all of her texts—difference, survival, sexuality, feminist communities, racism, fighting ignorance—they can be read as wonderful supplements to Lorde’s previously published work, as well as sparks of ideas that continue to inform new readings of texts such as Sister Outsider. In Lorde’s previously unpublished speech delivered at the first retreat of black feminists and activists in 1977, for instance, she states, “our unique position within this system is to constantly question its most cherished assumption and to radically change it, not merely to co-opt it and make it work for us.” These words enrich Lorde’s belief in the essay “The Transformation of Silence Into Language and Action” that “what is most important...must be spoken, made verbal and shared, even at the rise of having it bruised or misunderstood.” When these words are read together, we fully understand how embracing and creating different types of language and action are part of who we are as activists, and that this recognition will fuel our ability to challenge, not co-opt, the systems of oppression.

The last section of I Am Your Sister adds even more insight into who Lorde was as a person, who she was as a writer and activist, how these things are not separate from each other, and what Lorde means to us today. Part remembrance, part celebration, and part further interrogation in Lorde’s art, humanity, voice, and passion, the reflective essays from Alice Walker, bell hooks, Johnnetta Besch Cole, Gloria Joseph, as well as the insightful epilogue by Beverly Guy-Sheftall brings the anthology to a satisfying close. But, as is usual with Lorde’s profound prose and ideas, we are always left wanting more.

Written by: Chelsey Clammer, June 14th 2009