Running from the Devil

admin — Mon, 13 Jul 2009 16:37:00 +0000

Jamie Freveletti’s authorial debut, Running from the Devil, begins with the story of Emma Caldridge, a chemist and ultra-marathon runner who boards a plane for Bogota and ends up in a plane crash in the Colombian jungle. She is thrown from the wreckage during the crash, and thus spared from being taken hostage by a group of Colombian guerillas. What initially appears to be a fairly standard kidnapping-ransom situation soon reveals itself to be much more as the stories of the other passengers, the hostage takers, and the rescue teams come to light. Emma Caldridge finds herself in the middle of this terrifying and dangerous situation and, due to a recent research discovery that she has carried to Colombia with her, hidden in the form of a lipstick, she soon realizes she is the catalyst of the situation as well.

_Running from the Devil _is a very entertaining novel, and an impressive debut from this new author. She intertwines the storylines in a way that is easy to follow without losing any of the suspense that builds throughout the chapters during the transitions. The characters are fairly stereotypical and easily categorized as hero, heroine, or villain, but Freveletti does give the story’s primary heroine, Emma Caldridge, some unconventional qualities, such as her athletic prowess and her scientific knowledge. I found the attribution of good looks to the characters with the most cunning to be cliché, and the mentioning of Emma Caldridge’s “cat-shaped and vibrant green” eyes to be a bit excessive, but at the same time, the weapon hidden in the lipstick seems to suggest that strength and power can be found under the most seemingly superficial of appearances.

I would like to infer that the jungle in _Running from the Devil _is actually a metaphor for the working world, in today’s developed countries. In this setting, traditionally masculine traits, such as athleticism and a scientific mind can prove advantageous to women who excel in these areas, but at other times these are traits that make some men feel threatened. By the same token, some women embrace traits such as their sexuality and appearance in a way that helps them to be more successful and feel more empowered in the workplace. This allows women to use what is uniquely feminine about them—those qualities that set them apart from their male competition—to their advantage. But, as the lethal weapon hidden in a lipstick container in Freveletti’s novel shows us, sometimes a woman’s excessive focus on the superficial aspects of her person can pose the greatest threat.

Written by: Rebecca McBride, July 13th 2009

Power, Piety, and Patronage in Late Medieval Queenship: Maria de Luna

admin — Sun, 12 Oct 2008 17:30:00 +0000

By Nuria Silleras-Fernandez

Palgrave MacMillan

In Power, Piety, and Patronage in Late Medieval Queenship, Nuria Silleras-Fernandez examines the life of the Spanish queen, Maria de Luna, from her childhood amongst the sons and daughters of the royal court, to her successes and failures as queen in the Crown of Aragon until her death in 1406. Silleras-Fernandez systematically demonstrates how “in an age in which queens were expected to act as no more than intersectors between supplicant subjects and the authority of the king, Maria [de Luna] was an active and independent political agent.”

Maria de Luna understood that the source of her power as queen was inextricably tied to the success of her husband’s rule as king, but she also had an understanding of the measures necessary to ensure the preservation of his power, an understanding that was, many times, far superior than her husband’s. She had great foresight for the implications of and potential repercussions from political and military actions, and she took the reins when she saw her husband or son acting in ways that might jeopardize their hold on the crown. Through the course of this book, Silleras-Fernandez shows how Maria de Luna manipulated all aspects of her life to serve her power-hungry agenda, particularly those of patronage and piety. Her acts of sponsorship were used to make loyal dependents out of her subjects, while her pious acts toward the Christian clergy and her husband were used to portray a queenly image that would win the support and respect of those over whom she ruled.

Power, Piety, and Patronage in Late Medieval Queenship demonstrates how exceptional Maria de Luna was at navigating the politics of the fourteenth century, and I believe that she would be a skilled politician according to today’s standards as well. Unfortunately, that is because she managed to use her relationships to further her political aims and maintain power. She was by no means a feminist, and her patronage was extended to the women in her court insofar as she could help educate and refine them so the could be strategically married off to suitors who would fortify certain political bonds.

Power, Piety, and Patronage in Late Medieval Queenship offers interesting insight into the life of an exceptional woman, who had an understanding of the politics of power far superior to that of most men of her time, but she relied on and clung to the power of her husband all the same. Thankfully, the past few years in Chilean, Israeli, and American politics (to name a few examples), have proven that women have come a long way from the days where their power was only derived from their male counterparts.

Written by: Rebecca McBride, October 12th 2008