diary

Ecosystem Advisor

gwen — Mon, 20 Dec 2010 12:00:00 +0000

I have been through many a planner in my life, from the small plastic-covered one with creepy kitten pictures, to one made of fake leather with a magnetic clasp. I prefer to keep it pretty simple when it comes to planners. But I’m also very picky about the amount of space I need to write down notes, not to mention the question of having a daily, weekly, or monthly view. Plus, it needs to be relatively light and easy to carry with me.

The sweet thing about Ecosystem books is that you can customize your purchase. There are four kinds of notebooks available: the Author (ruled journal), Architect (grid journal), Advisor (the planner), and Artist (blank journal). You also get to choose the cover (hard or flexible), the size, and even the color (with sassy names like lagoon and kiwi), since as the website says, "one color does not fit all." I have the onyx-colored Advisor, which has monthly and two weekly view options.

The price range is from $9.95 to $18.95, which is on par with Moleskin, the other company a lot of people go to when trying to find a quality notebook. However, the key difference and the reason you should consider going the Ecosystem route is that you are doing a great service to the environment. The Ecosystem books are 100% post-consumer recycled paper. If you go to the website, you can enter in a specialized pin code on the back page of your book and it will tell you exactly when it was made and where each part of the planner, from binding to the elastic band was assembled, the ecosystem attribute of each place, and even how many people are employed there!

Last year Ecosystem’s style of production saved 3,046 full-grown trees and over a million gallons of water. Furthermore, they are made in the United States, which helps the economy and saves on the energy it would take to transport them farther.

You can also check on their website to see how and where you can recycle your book when you are finished with it. There is also a lost and found, in case you misplace your Ecosystem book and want to see if anyone found it (and had the presence of mind to go on the website). Probably unlikely, but a cute idea!

As an avid writer of to-do lists and random bits of information that I must either jot down or forget, I like a good amount of space available for notes. On the left side of my Advisor pages was the week, with space for notes each day. On the right side was just a ruled page for notes. I really dug this set-up. It didn't make me feel overwhelmed like the monthly view does and I found it really helpful to still have a lot of space to write all the things I needed to get done. Other then that, the Advisor is pretty no-frills. But just knowing I was using something that was a benefit to the environment made me feel happy in the heart.

The only other bonuses are a small paper pocket in the back to keep perhaps coupons or receipts in. Plus of course, the random information always included in planners, the time zones, measurement conversions, international dialing codes. I am still convinced one day I will actually utilize these. Until then, at least I know I am not hurting the environment by having these extra pages!

Written by: Lesley Kartali, December 20th 2010

The Diary of Elizabeth Drinker: The Life Cycle of an Eighteenth-Century Woman (Abridged Version)

admin — Mon, 05 Jul 2010 08:01:00 +0000

Edited by Elaine Forman Crane

University of Pennsylvania Press

The preface to this newly issued, abridged version of Elizabeth Drinker's diary, published originally in three volumes in 1991, reveals the sort of personal relationship the editor has formed with her subject over the past decades, an intimacy that forms often in historical scholarship, especially in single-author studies and even more so when the genre of focus is so inherently intimate, as the diary form certainly is. In this case, the diary is a record of fifty years in the life of an eighteenth-century Quaker Philadelphian.

The abridgement focuses on four phases of Drinker’s life: her youth and courtship (1758-61), which coincides with the Seven Years’ War (often referred to as the French and Indian War); her experience as a young wife and mother in the years leading up to the Revolution; her years of “crisis,” as Crane describes them, from 1776-93; and her final years as “Grandmother and Grand Mother” leading to her death in 1807.

Unlike narrative history or biography, the diary offers the reader a limited and often cryptic view of this woman’s experience. Few of the entries are longer than a typical Facebook update, and in many respects, they are of a similar quality: a quick memorandum selecting the day’s highlight (or, just as often, lowlight). Yet there is an enormous amount to be gleaned from the diary about the gender roles that dictated much of a woman’s experience, as defined also by class and profession of faith.

Seen as a kind of pointillism rather than as a realist painting, the work provides extraordinary access to life in the Philadelphia area, especially during the Revolution: to the experience of being Quaker during a time of war and social upheaval, of being a slave-owner who all too belatedly experiences a crisis of conscience (after she had already irretrievably sold the person whom she “possessed” via inheritance), to the grim facts of life and mortality in eighteenth-century motherhood, and to the tedium and suffering that provided the texture of most of her days.

The fact that this is the third form in which the diary has been published (a longer condensed version was published in 1994) provides evidence of its usefulness to historians, citing the diary in a wide variety of contexts. For example, it is an essential tool for those working on the history of American religion. The phrase “went to meeting” is probably the most often repeated in the diary, and readers get a sense of how prominent a role her participation in the Society of Friends played in her life. Concurrently, readers get a shocking sense of the thuggishness of the colonial revolutionaries, who exiled her husband for his refusal to enlist and support the war and who perpetrated all manner of cruelties on Drinker, her family, her neighbors, and her fellow Quakers. The conduct of the British occupiers was not much better. The City of Brotherly Love—Quaker City—treated members of the Society of Friends as if they were all treasonous, and many lost life, liberty, and property as a result.

Those interested in medical history will also find this work a treasure trove, albeit a gruesome one. There are accounts of yellow fever, of the mysterious illnesses that struck down child after child, of blood-letting and experiments with inoculation, and of Drinker’s persistent ill health that, because she was financially secure, gave her access to the “best” health care available, a decidedly dubious benefit.

One narrative thread resonates with a particularly visceral force: her record of dental problems. Toothache is a lifelong preoccupation, and each extraction or loss is recorded, as well as accounts of medical remediation. For example, we learn about attempts to “restore” extracted teeth to their original position in hopes that they will re-root themselves! The theme extends to her children—cutting the first tooth somehow symbolizes a child’s survival—and it’s a source of particular grief when one of her sons dies almost immediately after cutting his first tooth. At this level of human experience, along with all the meetings, all the teas with friends, all the gut-wrenchingly terse accounts of illness and death, the diary takes us deeply into a woman’s life and fleshes out a period too often obscured in patriotic and patriarchal myth-making.

Written by: Rick Taylor, July 5th 2010

Was That Supposed To Be Funny?

admin — Mon, 31 May 2010 08:00:00 +0000

By Lauren Barnett

One can never truly pinpoint what feminism looks like. Sometimes it’s the faces of celebrities, proudly claiming the F-word; sometimes it’s a swarm of protesters gathering on the National Mall. And sometimes it’s a crown of broccoli asserting its dancing ability to a bullying stalk of asparagus. In her latest work, Was That Supposed to be Funny, Brooklyn-based cartoonist/blogger Lauren Barnett uses personal anecdotes as well as personified vegetables to invite the reader into her quirky, droll mind.

While the comic does not serve as the site for feminist criticism, Barnett’s presentation of her own experiences as a woman offers fertile ground for exploring the cultural constructs that pervade the female experience. The title alone, inspired by a sixth grade note between the author and a classmate, conjures memories of bra-snapping boys, sexist teachers, landlords, and doctors plus a lifetime of pop-culture references in which the joke is on us. While hunting for an apartment, she is nearly scammed out of her $500 deposit, and completely scammed out of the apartment. One is left to wonder, would the apartment have been secured if the boyfriend with whom she will share it had been the one handling the shady broker?

The most poignant—and strangely hilarious—moments are Barnett’s inclusion of actual diary entries from her adolescence, written verbatim, and brought to life in black and white illustration. Watching Jaws, a nine-year-old Barnett is saddened by the death of “the pretty girl” and later makes history as President of the United States Niki Taylor, supported by her secretary, and best friend, Cindy Crawford. Barnett’s work is a charming and unique representation of the third wave of feminism and a generation of women no longer succumbing to silence. In a country where women are still underpaid and outnumbered by men in a number of fields including publishing, animation, and comedy, Barnett bravely inserts her voice into the dialogue. The result is a sublimely feminist, refreshingly entertaining, and utterly relevant documentation of one woman’s world.

Written by: Alicia Sowisdral, May 31st 2010

Butterfly Large Journal

admin — Sun, 14 Feb 2010 09:00:00 +0000

By Oberon Design

I have had a love affair with journals for as long as I can remember. I love to collect beautifully designed journals—the top shelf of the bookcase in my home office has almost twenty journals that I gathered during high school and college. Now, I have a new favorite to add to my collection.

The butterfly journal by Oberon Design is incredibly well-crafted. The large version is nine inches in length by six and a half inches in width, with the paper sized at eight and a half inches by five and a half inches. The journal has a metal knob on the front with a butterfly and a leather tie that wraps around it to close. The purple leather has a matching etching, front and back, of a butterfly with black detailing. The pages inside the journal are white and do not have any lines.

The best part about this journal is the paper is replaceable: the inside of the butterfly journal is a plain black hardcover journal, which is placed into the leather sleeve. This means that when you fill up the original journal, you replace it with a new one (Oberon Design sells blank book inserts for $7.75 each). Since the leather is thick and the stitching is very tight, it can take some effort to remove and insert the inner book.

Oberon Design includes a small insert with the journal about caring for the leather. A few tips include keeping the journal out of direct sunlight, not using chemicals or solvents on the leather to clean, and removing any marks by lightly wiping with a clean eraser or a water-dampened cotton cloth. The journal is incredibly sturdy and looks like it will last for years. For journal lovers and prolific writers, the butterfly journal is a good investment that will look fantastic on a bookshelf and when it is being used.

Written by: Elizabeth Stannard Gromisch, February 14th 2010