In Girl Zines, Alison Piepmeier elegantly chronicles the emergence in the early 1990s of zines: a complex, multifaceted phenomenon aligned with third wave feminism, and a powerful and unruly articulation of the same cultural moment that produced riot grrrls. It may also have been the last gasp of the manuscript culture—since, some would say, eclipsed by the blogosphere and electronic media—as a pervasive form of underground radical expression.