Elevate Difference

Music

Cupéro

When I found out Clarissa Cupéro was only nineteen years old, I did a double take. Her gritty alto is substantial, forceful; it speaks of experience. Cupéro, a New York state native, is currently a student at Sienna College, and in addition to taking classes, she performs her songs for campus benefits (including concerts to aid student organizations such as Students Active for Ending Rape).

Every Light Must Fade

Sometimes it seems the best things in life are those that we accidentally stumble across on a whim, or on the way to something else. That certainly seems to be the case for many of the items I’ve reviewed items for this blog.

Fabriclive 48

I was excited to review this album because I'm fascinated by the creative endeavor of mixing existing music together to create something entirely new. I'm a musician, but I know very little about being a DJ—I had heard that no one mixes like the Filthy Dukes, and that their albums were the next best thing to being at one of their events.

The Last Thing You Forget

Title Fight's The Last Thing You Forget is one of the best punk albums I've heard in a while. Incredibly catchy, energetic, and addictive, I'd recommend listening to it on the Metro on your morning commute. It screams of being young and feeling alive. You'll feel like you can conquer the world. "Symmetry" is rapidly guitar-driven, with perfectly controlled yells augmenting the already fantastic vocals.

I've Been Here the Longest

I’m always on the lookout for a great female lead singer, a strong group with an even stronger style and personality. They seem to be so few and far between, and a lack of maturity on the part of the lead is often the demise of a great band with such possibilities. I’m fond of talking about fabulous bands that would have been so much better—and lasted for more than a single album—if they’d found a great frontwoman to bring it home.

Persona

I just completed a music review about how important I thought it was for the fans to evolve with the artist. Perhaps I put my foot in my mouth. I guess I should preface this review by saying that I am a huge fan of Queen Latifah. I am not, however, a huge fan of Persona. I like to break music up into layers of how I enjoy it; those layers consist of lyrics, vocals, music, and production.

Red River

San Francisco artist Sonya Cotton’s latest release, Red River, is a fantastic album for a quiet day. I imagine one of those long, tired days when you just don’t want to get out of bed—Sunday maybe, the rain drumming upon the window, your tea wafting gentile tendrils of lavender chamomile, and you want something to wrap you in comfort.

Sing Along to Songs You Don’t Know

I have never been one to accept iTunes’ genre classifications of the music I purchase. Yes, the categories can be useful, but they never quite fit with my personal interests. As soon as the tracks are downloaded, I quickly listen to the album and decide where it fits amongst my feisty feminist punk rock, hipster late-night sing-alongs, or classical acoustic sleep inducers (to name a few). Admittedly, I am a little bit of a control freak and perhaps a tad obsessive.

Zebra

“When you hear hoof beats, think horses, not zebras,” admonishes the medical aphorism. There are some quiet percussive hoof beats in “Goodbye Little Song” and other tracks on Karl Blau's new twelve-song release, Zebra. “Waiting for the Wind” opens with bells that sound like wind chimes and a relaxing vibe. The tempo picks up on “Dark Sedan Returns,” but returns to a righteous sedateness.

Somewhere Gone

More subdued than X, less twang than the Knitters, this album might be what you listen to once glad bags have been replaced by retro shifts as the little black dress of choice—more spirit than spit.

Get Color

In today’s huge hype musical landscape, it can be near impossible for a band with a successful first album to parlay that success into a long career. Health seem ready to beat the odds. Their sophomore album Get Color starts out with a bang: huge guitar riffs, whirring electronics, and almost shoegazey, wall of sound vocals coat “In Heat,” the album’s opener, in sound from top to bottom.

Magic Neighbor

Lisa Germano’s music is like finding an old photograph at a yard sale. Somehow, inexplicably, you’re drawn in by a sad or troubled expression staring back in black and white. Soon, without knowing fully why, you feel a connection to the woman sitting in the photograph, hands in her lap, poised in an awkward position that seems unnatural, strange, perhaps even eerie. And you eventually see a story unfolding before you of a quiet childhood with a distant parent, an unrequited love, and precious moments of happiness glimmering in between.

The Holy Open Secret

I would not have selected this album to review if I’d actually read the liner notes. However, I did my due diligence, went to iTunes and listened to a sample or two. I loved singer Sean Hoot’s voice, the uncomplicated lyrics and definite rock beat. When my package arrived with Hoots & Hellmouth’s The Holy Open Secret, my children, who are teenagers, made their way into my room as I played it.

Dead Zone Boys

Critics like to explain that because Jookabox’s David Adamson is from the east side of Indianapolis, he understands poverty, racism, and its symbolism in society. Check cashing joints and vacant strip malls feature prominently on the list of his influences. Perhaps this is why Jookabox appeals to me so greatly. In addition to my own near-Indianapolis roots, I find meaning and take solace in failing capitalist structures: dilapidated mini-golf courses, repurposed gyro drive-thrus that now house wristwatch wholesalers, theaters that seem to double as half venue, half asylum.

Red Rainbows

Sarah Lipstate has all the makings of a feminist noise fan’s dream. At twenty-five, she plays in ensembles with now-graying heroes of New York’s avant garde scene, like Glenn Branca and Rhys Chatham. She recently joined new wave band Cold Cave after a stint in Parts & Labor.

– Sainthood

The poised, charismatic sisters that make up the indie power-pop twosome Tegan and Sara always seem to be a step ahead of their game. Their music blends pop alt-rock with healthy dose of just what pop needs, integrity and passion. And then there’s that little spark that only a handful of bands have that makes them stand apart from the rest. They know their fans—what they wear, what they eat and what they want.

Lady Love

It's hard to believe that it's been over ten years since Destiny's Child released their first album. I was a teenager at the time, and as a big fan of bubblegum pop, I always enjoyed their music. One of my favorite Destiny's Child songs was “Independent Women;” their music had a sassy, you-go-girl vibe to it (although I'm sure many feminists prefer their empowering anthems to come from artists who aren't so “Bootylicious”).

Hung Like A Horse

Members of The Locust and Some Girls make up the edgy electro-punk industrial outfit All Leather, mixing angelic screeching over electro beats and spastic hardcore pummeling, which are all packed tight into ten glorious minutes of the [Hung Like a Horse](http://www.amazon.com/gp/product/B002HWUU8G?ie=UTF8&tag=feminrevie-20&linkC

The Snake

Access to a wide variety of musicians and bands has recently become widespread with the proliferation of the Internet. Though this gives inquisitive music lovers vast seas of artists to explore, this also presents the predicament of originality. Like any other art, only so many ideas can be looked at from so many points of view before they begin to blend together. It is difficult to find a sound that is original and surprising without being on the fringes of what is acceptable as music.

Prince of Truth

Considering Evangelista is side project of musician Carla Bozulich—a rather unstable project at that—it is hard to imagine that a work of quality would be produced by a band that seems to be a metaphorical revolving door.

Malaikat dan Singa

The music of Arrington de Dionyso (also of the band Old Time Relijun) lies somewhere in a crazy Venn Diagram where Sonic Youth, Nick Cave (circa [The Birthday Party](http://www.amazon.com/gp/product/B00004T0N7?ie=UTF8&tag=feminrevie-20&linkC

People People

I want Pariah Piranha's People People to work—and it almost does. Listening to their album is sort of like eating my mom’s homemade cooking instead of something gourmet. You can tell something is missing, but you don't know exactly what it is. Oregano? No, that’s not it. Pepper? Lemon juice?

Hope Freaks

I realize I spend many of my reviews describing what bands sound like, but hear me out. I frequently haven’t heard the bands I’m reviewing before, and I kind of figure most people reading Elevate Difference probably haven’t either (many times to their detriment, may I add). So anyway, on to my review why Pre are another one of those acts I think people should pay attention to, even if they aren’t into noise rock. Pre, like Finnish salty licorice and IPA beers, is indeed an acquired taste.

Heatwave

I have recently felt there is a shortage of high quality up-and-coming bands, especially bands with strong female leads. The band Total Babe is starting to change my mind. After listening to their new six-song release, Heatwave, I did a quick Internet search and was shocked to find out that they are a trio of teenagers!

By the Throat

I have a difficult time choosing music. On the one hand, I have respect for those who are masters of their craft. On the other hand, I identify with heartfelt lyrics and an impassioned performance. Finding musicians who are both masterful and vulnerable is like finding a unicorn. These rare individuals are listened to for decades and deemed timeless. Within seconds of listening, it is easy to determine that Eyedea is a highly-skilled DJ. He blends hip hop and rock in a way that is both seamless and surprisingly unique. For this alone, I give him a gold star.

Devil’s Halo

I have always admired the artist who is not afraid to spotlight the daily catharsis we call life, and put it into an artistic pill that the masses will not sicken themselves on if left to process with their own devices. Some examples of this type of artist are Marvin Gaye, James Baldwin, and Stevie Wonder. I am not comparing or contrasting; I am simply stating personal observations and opinions. People generally do not get criticized by those closest to them for their growth—be it emotionally, spiritually, or even physically.

Jessie Murphy in the Woods

While some might not be into the cutesy, fairytale-like sound and lyrics of the New York City pop-folk group Jessie Murphy in the Woods, there is no denying the magical harmony produced by the three talented women.

Love Is Not Pop

While listening to the recently released album from Swedish pop artist El Perro del Mar (Sarah Assbring), I quickly realized I was being pulled into a cathartic experience evoked by Assbring's ethereal vocals and repetitive, melancholic lyrics.

Carousel

It is hard to imagine Robin Guthrie’s music without the accompanying voice of his former better half, Elizabeth Fraser. Her vocal styling, a combination of mouth music and abstract lyrics, became a trademark of the Cocteau Twins and left a distinctive quality that remains even if she works with other musicians.

Twentieth Century Chemical

Those Bastard Souls is the side project of The Grifters’ David Shouse. The album Twentieth Century Chemical is a reissue; it was first released in 1996. To be honest, I haven’t heard of Shouse’s main gig. I don’t know anything about his other band either.