It's Not Me, It's You

I had never heard any of Lily Allen's songs until "The Fear," the first single off of It's Not Me, It's You, was released in January. I was hooked instantly; I could hardly wait until the U.S. release date for this album. Lily Allen doesn't disappoint.

Are Girls Necessary?: Lesbian Writing and Modern Histories

Are Girls Necessary? was an astoundingly great idea, exploring the lesbian in nineteenth and twentieth century lesbian-authored literature, even that which is not as explicit as the lesbian novels that make up the heart of the lesbian literary canon. The subjects of Abraham’s examinations are a veritable pantheon of lesbian, bisexual and feminist literary icons: [Willa Cather](http://www.amazon.com/gp/product/1844083721?ie=UTF8&tag=feminrevie-20&linkCode=as

Yes Means Yes!: Visions of Female Sexual Power and A World Without Rape

The Apostate: My initial reaction when I heard about the Yes Means Yes! anthology was mixed. It seemed that the problem of rape was being used for a catchy slogan's sake (the catchy slogan being a play on the anti-rape "no means no" rule), and not because it made any real sense.

Feminism and Pop Culture

No matter how sophisticated you believe yourself to be, consuming pop culture is often inevitable in modern life. From reacting to coverage of major news events to understanding how advertising permeates our media landscape, chances are most self-identified feminists have considered how so-called low culture affects our perceptions of our selves and our world.

The Terror Dream: Myth and Misogyny in an Insecure America

Many people are rightfully weary of discussing and analyzing 9/11. While it could be labeled insensitivity, it more likely has to do with a stifled national discourse, repugnant media spin, and a lack of in-depth processing. For the past several years, we’ve all been hibernating, trying to escape the aftermath of the terrorist attacks rather than actively deconstruct their meaning.

Red Letter Year

Red Letter Year is one of those records about—dare I say it?—hope. Its folksy tunes praise Mother Earth and the blessings we all share at the end of a devastating political era. You don't have to be a longtime fan of Ani DiFranco to be convinced that it is desirable—hell, even possible—to live in the woods, knit your own socks, grow your own food, and exist in a woman-centric world (assuming you don't already).

Margaret Cho’s Beautiful Tour

Margaret Cho’s Beautiful Tour, which began in February 2008, is still scheduled to visit a number of lucky locations throughout the United States. As usual, Cho’s brand of feminist, LGBTQ, activist, and politicized humor was hilarious, raunchy, and thought-provoking. Unlike so much of the comedy gracing television screens lately, Cho continues to infuse her comedy with cutting edge analysis of race, gender, body image, and sexuality.

To Love What Is: A Marriage Transformed

Two a.m. When you are young, this is the time that bars close, new love springs unbidden in doorways, and entire dramas are played out in the time it takes a traffic light to change. When you are older, with marriage and children under your belt, it is the hour at which a ringing phone wakes you in terror, not annoyance; when a voice in the darkness signals illness, not invitation; when awakening in a strangely empty bed, one will know that something has gone awfully wrong with the person whose warmth still lingers in the covers.

Live Through This: On Creativity and Self-Destruction

Live Through This is truly a feminist work. It takes the expressed experiences from individuals coming from a wide array of backgrounds, who candidly and publicly share their experiences with issues labelled taboo and private, offering strength and conscience to readers everywhere. The format of this work is an anthology of pieces from some of the most groundbreaking American cultural producers.

Queer Queens of Qomedy (08/01/2008)

Lesbians, like feminists, have no sense of humor. Or so we’ve been told… repeatedly. Poppy Champlin and her troupe of hilarious women-loving-women are busting that stereotype wide open. In various venues across the United States, the Queer Queens of Qomedy are met with crowds of queer fans and a hail of riotous laughter. I joined in on the gayety this past Friday night at the historic Birchmere music hall in Alexandria, Virginia, and I must say I’ve never laughed so hard in my life.

Herizons Magazine (Spring 2008)

I am not a mainstream media fan, and I haven’t been one for a long time. I like to think that, as I have gotten older, my dynamic and sometimes contradictory critical feminist analysis (can you tell I was a sociology major?) has deepened from the angry polemics of a surly teenager to something a little bit more complex. But, I have to admit, politically speaking, I have been really lazy lately. As I withdrew my attention from celebrity news and headlines that held no interest for me, I wasn’t so conscientious about cultivating a batch of new, alternative news sources.

Starved for Science: How Biotechnology Is Being Kept Out of Africa

As a mom who does what I can to buy organic food for my family, I completely understand the general distaste most of us have for genetically modified (GM) foods. The very thought of vegetables altered by scientists in labs seems creepy and somehow inherently wrong, doesn’t it?

Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics

Nineteenth century New England was a virtual breeding ground for progressive ideas. During the period, a host of feminist philosophers, jurists, and scholars emerged onto American society. Among the heroines associated with the era, you’ve probably examined those such as Dorthea Dix and Margaret Fuller in your high school U.S. History class. Many women, however, still remain relatively unacknowledged, despite their critical roles in scholarly debates of the era.

Reclaiming Feminist Motherhood

In 2003, _The New York Times Magazine _published “The Opt-Out Revolution,” by Lisa Belkin, a now nearly infamous contribution to the never-ending “mommy wars” collection of work. The cover story asserted that the nation’s most educated career women were “opting out” of their professional lives to become full-time stay-at-home moms.