Ourselves Unborn: A History of the Fetus in Modern America

Sara Dubow navigates the complexities of an impassioned and divisive issue in Ourselves Unborn. She takes a calculated historical look at how Americans have interpreted the fetus and pregnancy throughout ever-shifting political realities. Her thesis: Americans have cast their social and cultural anxieties onto the fetus, which often results in abortion-related policies that serve ulterior motives.

How Cancer Crossed the Color Line

Cancer—a disease signifying White civilization? A disease of the domesticated female? An indifferent, “democratic disease”? Or, a targeted attack on specific racial and ethnic communities? These varying assertions and many more have populated America’s cancer discourse over the last century, fading in and out as the dominant way to comprehend the disease’s victimization.

The Way It Is

Donalda Reid is gutsy to take on heavy racial undertones in her first novel They Way It Is. The story is historical fiction; although, aside from the creation of the main characters, this young adult book is more history than fiction.

Written on the Body of The Erasable Woman

When did you start writing poetry? At a very young age—probably when I started writing with chalk on my bathroom door or adding my own two cents to my parents’ biology textbooks they tell me I always furiously flipped through. I experienced a lot of racism, (hetero)sexism, and different kinds of regulation at a young age too, and I think what that did was make me really quiet and closed up in a lot of ways.

Tea & Justice

If your political leanings are more in line with musical acts like NWA or MDC, then Ermena Vinluan’s fifty-five-minute exploration of race and gender issues in the context of the New York Police Department may seem...

Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007

A student of Judy Chicago and Allan Kaprow, Suzanne Lacy’s collection of essays about her performance art pieces showcases not only Lacy’s development as a powerhouse feminist artist of her time but also the changing landscape of political art throughout the past four decades. Following a thoughtful introduction by her friend Moira Roth, Leaving Art traces Lacy’s self-criticism, the intended meaning behind her pieces, and reflections about the effectiveness of her work, at times in journal form (e.g., “While I was working on this piece I figured out why it has been so hard for me to consider myself grown up”) and at times as she reflects about the meaning of art more broadly. As an introduction to Lacy’s work, or as an in-depth look at Lacy’s artistic process, the book will appeal both to those newly familiar with Lacy or with those who have long followed her career.

Songs in Black and Lavender: Race, Sexual Politics, and Women’s Music

In her critical study of later twentieth century women’s music festivals, Eileen Hayes sets the tone and identifies her intended audience in a trenchant dedication, which really serves as an effective epigraph for her book: _Some say feminism is dead. Others say black feminism stopped by but left in a hurry. A few claim that “women’s music” is dull; “Besides,” they say, “Bessie Smith is so last century.” Others don’t know any lesbians and would rather watch them on TV. It was chic to be lesbian—last year. They say you can’t be black, lesbian, and musical at the same time.

Privilege: A Reader

A historian once said that the more one can know about something, the more you can control it. Michel Foucault was specifically talking about the control of psychiatric patients, prison inmates, and people's sex lives, but we can certainly extend his thoughts to a plethora of other examples.

Jesus Boy

Star-crossed intergenerational love between a Christian matriarch and a young church pianist sounds like an unlikely fictional masterpiece, but in Jesus Boy, Preston L.

The Taste for Civilization: Food, Politics, and Civil Society

At a time when Western society is becoming more and more dependent on cheap and rapid sustenance of often dubious nutritional value, Janet Flammang’s study is an important reminder of both the way it was and the way it perhaps should be. In The Taste for Civilization, Flammang sets out to present what she calls “table activities” as central to respect, citizenship, and a greater good.

Conversate Is Not A Word: Getting Away From Ghetto

I admit it: I bristle when my students talk about conversating. At the same time, I try to catch myself, remembering that decades back no one spoke of googling or used the word text as a verb either. Language, like social mores, constantly changes. African American author, provocateur, blogger, and lawyer Jam Donaldson understands this, and her message is simple: Everyone, but especially people of color, needs to know the difference between slang and proper grammar, and everyone needs to take responsibility for the things they can control.

Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization

In Multidirectional Memory, Michael Rothberg offers an alternative to competitive memory, or the idea that the capacity to remember historical injustices is limited and that any attention to one injustice diminishes our capacity to memorialize another. Rothberg also disputes the idea that comparisons between atrocities erase differences between them and imply a false equivalence.

No Longer Separate, Not Yet Equal: Race and Class in Elite College Admissions and Campus Life

No Longer Separate, Not Yet Equal is a thorough and accessible study of race- and class-based dynamics at elite American colleges and universities. Sociologists Thomas J. Espenshade and Alexandria Walton Radford report on the racial and class makeup of student populations at top U.S. schools at various stages of their college careers, and conclude with suggestions for closing the racial academic achievement divide in American society more broadly.

Mississippi Damned

Mississippi Damned opens with a display of rural setting, piano music, and kids playing. Based on a true story, the film is shown through the eyes of Kari Peterson, a young black girl, who lives in a poor, violent, neglectful family. Even though she is a little girl, nothing is hidden from her view-the adults are too busy drinking, gambling, and beating people to notice her during the intense moments.