The Reality Shows

Described by Ben Brantley of the New York Times as someone with the “power to disturb,” Karen Finley is a woman with her finger on the pulse of America. Renowned for her performance art, she is an underground favorite and a feminist idol.

Words and Money

The creative culture industries have always been, and will continue to be, an important arena of concern for feminist politics. This is not only because feminism has had to rigorously contest the regressive versions of femininity mass produced by these industries for mainstream audiences but also because feminism has challenged these perceptions by generating alternative media, literature, and film.

Peepli Live

The women of Peepli… well, there are no women in Peepli. Yes, there are daughters and mothers and wives, and to them Natha is purportedly “son and brother.” Natha is in dire straits; he has taken a loan from the bank and now cannot repay it.

Face It: What Women Really Feel as Their Looks Change

As the authors of Face It explain in the preface to their book, women who came of age during and after feminism's second wave were brought up to believe our looks don’t have to define who we are or determine our possibilities. What mattered more in this 'enlightened' new age were our brains, our talents, our degrees, our abilities, and our ambition.

Signifying Bodies: Disability in Contemporary Life Writing

We live in an age in which the memoir has become the preeminent genre. Writers of the contemporary memoir are not required to be a “somebody” or famous personality before publication. This is the age of the “nobody” memoir—the writings of individuals who tell stories of lives that in previous ages would have remained untold.

Missing Bodies: The Politics of Visibility

It is hard to deny the creeping, theatrical aspect that seems to permeate every mode of information and method of exposure we are subjected to daily. While once relegated to advertisements, television, and movies, the careful craft of showcasing and presenting certain bodies is now seen in governments, military, and the health industry. Why some bodies are overexposed while others are seemingly non-existent is useful in determining the underpinnings of American society and agenda.

©ontent: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future

He’s been dubbed the “William Gibson of his generation,” but Cory Doctorow is more than a cyberpunk novelist or futurist. He’s an activist, a Creative Commons advocate, tech blogger, and journalist. I don’t come to Doctorow’s non-fiction work by way of his sci-fi novels.

Women, Violence, and the Media Readings in Feminist Criminology

At times, much like a good teacher, this book had my full attention. At other times, I nodded off. When I was three-quarters the way through, I began to wonder why it sounded like one of my old college text books. When I finished the 279 pages and went back to the preface, which I had long forgotten, I learned why: it was written for college students. That explained it.

Lessons Learned from WAM! 2009

This past weekend, I attended the [Women, Action & the Media](http://www.centerfornewwords.org/wam/" target="_blank) Conference (WAM!) in Boston. It was a great weekend that offered over forty workshops and panels, a film series, two keynote talks, and a "genius bar" allowing conference-goers to sign up for time with media experts throughout the conference. I started on Friday with the session PR: Getting Your Work Out There. It definitely set the tone for the rest of the conference—we'd be learning new skills, sharing our own experiences, and making new connections.

Cheryl Ann Webster: Beautiful Women Project (3/20/2008)

When I initially heard about the Beautiful Women Project, I was engaged by the apparently simple nature of its message. I thought of the work as conveying many feminist interpretations of the relationship between feminine constructions of body image and media. On speaking to the artist and viewing the collection, I was struck at the memories it brought up for me.

New Cultural Studies: Adventures in Theory

New Cultural Studies is an exciting call to action from writers concerned about the future of the field of cultural studies. Since cultural studies is ever living and should be evolving along with other subjects, we must never stop developing new theories and using cultural studies as a framework about contemporary issues in politics, economics, the media, etc. This text looks beyond the distinguished Birmingham School’s theoretical work toward today’s greatest minds, such as Alain Badiou, Giorgio Agamben and Gilles Deleuze.