Threads of Hope

I have to admit to watching this film with much trepidation. Too many films and documentaries are dedicated to analyzing the poor state of women’s lives in the developing world, but few dedicate their focus to researching and explicating the systemic inequalities rooted in patriarchy, that exist to reinforce women’s conditions. However, while watching I was determined to keep an open mind and value the work and perspective of a young woman of color, endeavoring to make a difference in the world by documenting women’s lives in Kolkata, India.

The Company of Heaven: Stories from Haiti

Marilène Phipps-Kettlewell's collection of short stories, The Company of Heaven, is an unkind narrative of Haiti and Haitians. It is unkind in the way one can be unkind when recalling a sibling’s awkward puberty or seeing for the first time, the humiliation of a parent by a stranger in a public place. She is unkind to her Haitians and yet she remains a family member, intimately invested and loyal. It is difficult to like even one of her characters, however, it is even more difficult to look away from them.

Muscogee Daughter: My Sojourn to the Miss America Pageant

On the surface, Susan Supernaw’s memoir Muscogee Daughter: My Sojourn to the Miss America Pageant is a story about an unlikely Miss Oklahoma winner and her trip to the 1971 Miss America pageant. The true story, however, is Supernaw’s struggle to escape a childhood marred by extreme poverty and violence and earn the Native American name revealed to her during a near death experience.

Homeless: The Motel Kids of Orange County

Orange County, California is known for both wealth and political conservatism. In fact, the most recent American Community Survey reports that the largely Caucasian locale boasts a median household income of $81,260. But as filmmaker Alexandra Pelosi’s latest documentary, Homeless: The Motel Kids of Orange County, demonstrates, more than ten percent of OC residents live below the poverty line.

The Japanese Wife

Here’s what I can muster for Aparna Sen’s film The Japanese Wife: I still don’t quite get it. The Japanese Wife is not as simple as Madame Butterfly, but I think a similar analysis applies.

Jesus Boy

Star-crossed intergenerational love between a Christian matriarch and a young church pianist sounds like an unlikely fictional masterpiece, but in Jesus Boy, Preston L.

Fig Trees

It’s hard to explain Fig Trees. It’s an opera yet it's also a documentary. There’s an albino squirrel and a nun. It scrutinizes the critical circumstances of the AIDS epidemic, from the 1980s to the present day, and points out, with sharp observations, the irony of consumer-driven AIDS campaigns. The main issues addressed are the ineffectiveness of governments and the greediness of pharmaceutical companies, but popular culture is not completely innocent either. In Fig Trees, director John Greyson documents the story of South African AIDS activist, Zackie Achmat.

The Social Philosophy of Jane Addams

Personally, what’s best about The Social Philosophy of Jane Addams by Maurice Hamington is something he left out. His focus stays on Addams’s political and philosophical thought with absolutely no mention of her having had, as I do, a twisted spine. When my condition had just been detected, my eighth-grade health teacher singled me out to write a report on Jane Addams. My classmates got to choose. I was mortified.

An Angle of Vision: Women Writers on Their Poor and Working-Class Roots

In An Angle of Vision, we are presented with a series of extraordinarily well-written essays centered upon one of the most taboo topics in U.S. culture: class. More specifically, we are presented with first-person, female-centered examinations of two groups who are steadily disappearing from both the public discourse and the popular culture of the United States: the poor and working class.

Black and Green: Afro-Colombians, Development, and Nature in the Pacific Lowlands

Black and Green is a publication based on Kiran Asher’s doctoral thesis in political science, a field she came to by ways of a masters in Environmental Management and much field experience in Costa Rica, Belize, China, and now Colombia.

The End of Poverty?

I haven’t seen Michael Moore’s Capitalism: A Love Story, or any of his films, but I rejoice that he made these films, especially this last one, which dares to challenge “our” economic system.

Enterprising Women in Urban Zimbabwe: Gender, Microbusiness, and Globalization

In the early 1990s, Mary Osirim took a team of interviewers to several urban areas in Zimbabwe to learn about the lives and financial status of women working in the “microenterprise sector.” She found that while women were largely excluded from education and much of the Zimbabwean economy, some had found a niche as crocheters, seamstresses, hairdressers, and “market traders” in fruits and vegetables and other goods. There is plenty of sociological theory—the author is, after all, an eminent sociologist—much of it concerning the damage wrought by globalization generally and more specifically

Andheri

This short film was Sushrut Jain's final project at the USC School of Cinematic Arts. He plans to expand the character study into a feature length film. Shot on the street in a Mumbai suburb of the same name, Andheri does an exceptional job of communicating what it feels like to walk down the street in urban India. Every movie with an Indian scene seems to have a few crowded streets where the camera jostles and token cows, beggar children, and colorful saris move through the frame.

Tapologo

Tapologo is a full-length documentary shot in Northwest Province, South Africa. Directors Gabriella and Sally Gutierrez Dewar chronicle a handful of the 20,000 displaced African refugees in a squatter camp called Freedom Park. Here we are exposed to life and death in a place where fifty percent of the women are infected with HIV. The film is divided into two parts. Part one opens inside the shack of an emaciated woman receiving care from two local nurses.